Cultural Impact
The final is the most watched event ever on British television, as of September 2009, attracting 32.60 million viewers. In Germany, a goal resulting from a shot bouncing off the crossbar and hitting the line is called a Wembley-Tor (Wembley Goal) due to the controversial nature of Hurst's second goal. This goal has been parodied a large number of times. Some of the most notable include:
- England's third goal was referenced in a 2006 Adidas advertisement, where English midfielder Frank Lampard takes a shot at German keeper Oliver Kahn, and a similar event happens. On 27 June 2010 at that year's World Cup a goal by Lampard was disallowed which would have levelled the second-round game against Germany 2–2 (Germany won 4–1).
- Kenneth Wolstenholme's commentary on the third goal that bounced on the line, "It's a goal!" was used (along with the sound of breaking glass) in the tape-looped coda of an early version of The Beatles song "Glass Onion", available on the album Anthology 3.
- Kit Kat parodied the controversial third goal in an advert for the Kit Kat bar. The goal is scored and the linesman was shown about to eat a Kit Kat bar as opposed to following the game. Upon realising that a possible goal has been scored, he hastily stuffs the bar into his mouth and awards the goal.
In August 1966 a special 4d stamp marked was issued by the British Post Office to celebrate the victory and which soared in value to up to 15 shillings each on the back of public enthusiasm for the victory before falling back in value when the public realised it was not rare.
Read more about this topic: 1966 FIFA World Cup Final
Famous quotes containing the words cultural and/or impact:
“Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after the forms of life, thought, custom, knowledge, art.”
—Johan Huizinga (1872–1945)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)