Events
Thousands of full-length films were produced during the first decade of the 21st Century. Building on developments in the 1990s, computers are used to create effects that would have previously been more expensive, from the subtle erasing of surrounding islands in Cast Away (leaving Tom Hanks' character stranded with no other land in sight) to the spectacular battle scenes such as those in Gladiator, The Lord of the Rings trilogy, The Matrix and 300.
In addition, film genres not known for their popular appeal in North America became increasingly attractive to filmgoers: films in foreign languages like Crouching Tiger, Hidden Dragon, The Passion of the Christ and Letters from Iwo Jima; and documentary films like An Inconvenient Truth, March of the Penguins, Super Size Me, and Fahrenheit 9/11, became very successful.
Also gaining popularity was the use of Computer-generated imagery (CGI) to produce films. These types of films were originally seen in the 1990s with the likes of Toy Story and its sequel Toy Story 2, but CGI films became more popular in 2001 with the release of Shrek. Other popular CGI films include Finding Nemo, The Incredibles, Monsters, Inc. and Ratatouille. In addition, Up became the second animated feature ever to receive an Oscar nomination for The Best Picture.
The 2000s also saw a resurgence of several genres. For example, Gladiator, Moulin Rouge!, and Spider-Man increased the popularity of the Epic, Musical, and comic book genres, respectively.
Read more about this topic: 2000s In Film
Famous quotes containing the word events:
“Man is a stream whose source is hidden. Our being is descending into us from we know not whence. The most exact calculator has no prescience that somewhat incalculable may not balk the very next moment. I am constrained every moment to acknowledge a higher origin for events than the will I call mine.”
—Ralph Waldo Emerson (1803–1882)
“Just as a mirror may be used to reflect images, so ancient events may be used to understand the present.”
—Chinese proverb.
“The return of the asymmetrical Saturday was one of those small events that were interior, local, almost civic and which, in tranquil lives and closed societies, create a sort of national bond and become the favorite theme of conversation, of jokes and of stories exaggerated with pleasure: it would have been a ready- made seed for a legendary cycle, had any of us leanings toward the epic.”
—Marcel Proust (1871–1922)