Aberdeen - Landmarks

Landmarks

Main article: Architecture of Aberdeen

Aberdeen's architecture is known for its principal use during the Victorian era of granite, which has led to its local nickname of the Granite City or more romantically the less commonly used name the Silver City, since the Mica in the stone sparkles in the sun. The hard grey stone is one of the most durable materials available and helps to explain why the city's buildings look brand-new when they have been newly cleaned and the cement has been pointed. Unlike other Scottish cities where sandstone has been used, the buildings are not weathering and need very little structural maintenance on their masonry.

Amongst the notable buildings in the city's main street, Union Street, are the Town and County Bank, the Music Hall, the Trinity Hall of the incorporated trades (originating between 1398 and 1527), now a shopping mall; the former office of the Northern Assurance Company, and the National Bank of Scotland. In Castle Street, a continuation eastwards of Union Street, is the new Town House, a very prominent landmark in Aberdeen, built between 1868 and 1873 to a design by Peddie and Kinnear.

Alexander Marshall Mackenzie's extension to Marischal College on Broad Street, opened by King Edward VII in 1906, created the second largest granite building in the world (after the Escorial, Madrid).

In addition to the many fine landmark buildings, Aberdeen has many prominent public statues, three of the most notable being William Wallace at the junction between Union Terrace and Rosemount Viaduct, Robert Burns on Union Terrace; above Union Terrace Gardens, and Robert the Bruce holding aloft the charter he issued to the city in 1319 on Broad Street, outside Marischal College.

Read more about this topic:  Aberdeen

Famous quotes containing the word landmarks:

    Of all the bewildering things about a new country, the absence of human landmarks is one of the most depressing and disheartening.
    Willa Cather (1873–1947)

    The lives of happy people are dense with their own doings—crowded, active, thick.... But the sorrowing are nomads, on a plain with few landmarks and no boundaries; sorrow’s horizons are vague and its demands are few.
    Larry McMurtry (b. 1936)