Origins of The Term
The origins of the term seem to be rooted in the 1910s, most of its early appearances were in the writings of Bulgarian authors. Since the mid-1940s the term has appeared on maps circulated first in Yugoslavia and especially after 1991 in the independent Republic of Macedonia, which envisioned Greek Macedonia (referred to as "Aegean Macedonia") as part of a "Greater Macedonia", and is regarded as a non-recognition of current European borders, including the legitimacy of Greek sovereignty over the area.
During the Greek Civil War, the Greek government referred to the usage as a "new term" only recently introduced by Josip Broz Tito in Yugoslavia, implying that it considered it part of the Yugoslav campaign of laying claim to Greek Macedonia.
Tito's war-time representative to Yugoslav Macedonia, Svetozar Vukmanović-Tempo, is credited with promoting the usage of the regional names of the Macedonian region for irredentist purposes. In 1946, the Belgrade newspaper Borba (August 26, 1946) published an article under the title "Aegean Macedonia", it was also published in Skopje’s Nova Makedonija with a map of Yugoslav territorial claims against Greece. A month later, on September 22, the Premier of the People's Republic of Macedonia, Dimitar Vlahov (speech in Nova Makedonija, on September 26, 1946), announced, "We openly declare that Greece has no rights whatsoever over Aegean Macedonia...". Vlahov then went on to publish, "The Problems of Aegean Macedonia", Belgrade, June 1947.
Read more about this topic: Aegean Macedonia
Famous quotes containing the words origins of, origins and/or term:
“The origins of clothing are not practical. They are mystical and erotic. The primitive man in the wolf-pelt was not keeping dry; he was saying: “Look what I killed. Aren’t I the best?””
—Katharine Hamnett (b. 1948)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“In eloquence, the great triumphs of the art are when the orator is lifted above himself; when consciously he makes himself the mere tongue of the occasion and the hour, and says what cannot but be said. Hence the term abandonment, to describe the self-surrender of the orator.”
—Ralph Waldo Emerson (1803–1882)