African American Music - Historic Traits

Historic Traits

As well as bringing harmonic and rhythmic features from Western and Sub-Saharan Africa into European musical styles, it was the historical condition of chattel slavery experienced by black Americans within American society that contributed the conditions which would define their music. Many of the characteristic musical forms that define African-American music have historical precedents. These earlier forms include:

  • field hollers
  • work song
  • call and response
  • vocality (or special vocal effects): guttural effects, interpolated vocality, falsetto, melisma, vocal rhythmization
  • improvisation
  • blue notes
  • polyrhythms: syncopation, concrescence, tension, improvisation, percussion, swung note
  • texture: antiphony, homophony, polyphony, heterophony
  • harmony: vernacular progressions; complex, multi-part harmony, as in spirituals and barbershop music

Read more about this topic:  African American Music

Famous quotes containing the words historic and/or traits:

    If there is any period one would desire to be born in, is it not the age of Revolution; when the old and the new stand side by side, and admit of being compared; when the energies of all men are searched by fear and by hope; when the historic glories of the old can be compensated by the rich possibilities of the new era?
    Ralph Waldo Emerson (1803–1882)

    Practically everyone now bemoans Western man’s sense of alienation, lack of community, and inability to find ways of organizing society for human ends. We have reached the end of the road that is built on the set of traits held out for male identity—advance at any cost, pay any price, drive out all competitors, and kill them if necessary.
    Jean Baker Miller (20th century)