Alamodome - Features

Features

The facility is a rectilinear 5-level stadium which can seat up to 65,000 spectators for a typical football game and is expandable to hold 72,000 spectators, allowing the possibility of hosting a Super Bowl. Configuring the arena for basketball or hockey takes 12–18 hours to set up retractable seating and installing the playing surface. In this configuration, typically only the two lower levels at one or both ends are used. The arena configuration seats 20,662 spectators, but is expandable to 39,500 when the upper level is opened.

The Alamodome opened with 38 luxury suites and 6,000 club level seats. The original design specifications called for 66 luxury suites. Since the San Antonio Spurs were the only occupant at the time, only 38 luxury suites in the north end of the facility were built. The footprints for the 28 unbuilt luxury suites were open floor space just behind the club level seats that surround the south end of the facility. In 2006, the Alamodome underwent an expansion to accommodate 14 new luxury suites. The Sports Club and the Top of the Dome restaurant also received renovations in 2004.

The Alamodome has two permanent Olympic-size ice rinks that can be used for NHL games, figure skating and speed skating. The facility also contains 30,000 square feet (2,800 m2) of meeting rooms and 160,000 square feet (15,000 m2) of continuous exhibit space.

Read more about this topic:  Alamodome

Famous quotes containing the word features:

    Art is the child of Nature; yes,
    Her darling child, in whom we trace
    The features of the mother’s face,
    Her aspect and her attitude.
    Henry Wadsworth Longfellow (1807–1882)

    The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
    Marcel Proust (1871–1922)

    It is a tribute to the peculiar horror of contemporary life that it makes the worst features of earlier times—the stupefaction of the masses, the obsessed and driven lives of the bourgeoisie—seem attractive by comparison.
    Christopher Lasch (b. 1932)