Partial Filmography As Director
- The Gold Lust (1911)
- The Restless Spirit (1913)
- Back to Life (1913)
- Bloodhounds of the North (1913)
- The Lie (1914)
- The Honor of the Mounted (1914)
- Remember Mary Magdelen (1914)
- Discord and Harmony (1914)
- The Embezzler (1914)
- The Lamb, the Woman, the Wolf (1914)
- The End of the Feud (1914)
- The Tragedy of Whispering Creek (1914)
- The Unlawful Trade (1914)
- The Forbidden Room (1914)
- The Hopes of Blind Alley (1914)
- Richelieu (1914)
- Wildflower (1914)
- A Small Town Girl (1915)
- David Harum (1915)
- A Girl of Yesterday (1915)
- The Pretty Sister of Jose (1915)
- Manhattan Madness (1916)
- The Habit of Happiness (1916)
- Fairbanks Fine Arts (1916)
- Fairbanks Fragments (1916–1918) also screenwriter
- Accusing Evidence (1916)
- An Innocent Magdalene (1916)
- A Modern Musketeer (1917)
- Headin' South (1918)
- Mr. Fix-It (1918)
- Robin Hood (1922)
- Stage Struck (1925)
- Tin Gods (1926)
- The Joy Girl (1927)
- The Iron Mask (1929)
- Tide of Empire (1929)
- The Far Call (1929)
- What a Widow! (1931)
- Counsel's Opinion (1933)
- Heidi (1937)
- Rebecca of Sunnybrook Farm (1938)
- The Three Musketeers (1939)
- The Gorilla (1939)
- Young People (1940)
- Look Who's Laughing (1941) also producer
- Friendly Enemies (1942)
- Around the World (1943) also producer
- Up in Mabel's Room (1944)
- Abroad with Two Yanks (1944)
- Getting Gertie's Garter (1945) also screenwriter
- Brewster's Millions (1945)
- Driftwood (1947)
- Calendar Girl (1947)
- Northwest Outpost (1947) also associate producer
- Sands of Iwo Jima (1949)
- I Dream of Jeanie (1952)
- Montana Belle (1952)
- Silver Lode (1954)
- Passion (1954)
- Cattle Queen of Montana (1954)
- Tennessee's Partner (1955)
- Pearl of the South Pacific (1955)
- Escape to Burma (1955)
- Slightly Scarlet (1956)
- Hold Back the Night (1956)
- The Restless Breed (1957)
- The River's Edge (1957)
- Enchanted Island (1958)
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“Both the man of science and the man of art live always at the edge of mystery, surrounded by it. Both, as a measure of their creation, have always had to do with the harmonization of what is new with what is familiar, with the balance between novelty and synthesis, with the struggle to make partial order in total chaos.... This cannot be an easy life.”
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“Your audience gives you everything you need. They tell you. There is no director who can direct you like an audience.”
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