Popular Use
Somehow, "Amazing Grace" core American values without ever sounding triumphant or jingoistic. It was a song that could be sung by young and old, Republican and Democrat, Southern Baptist and Roman Catholic, African American and Native American, high-ranking military officer and anticapitalist campaigner.
Steve Turner, 2002Following the appropriation of the hymn in secular music, "Amazing Grace" became such an icon in American culture that it has been used for a variety of secular purposes and marketing campaigns, placing it in danger of becoming a cliché. It has been mass produced on souvenirs, lent its name to a Superman villain, appeared on The Simpsons to demonstrate the redemption of a murderous character named Sideshow Bob, incorporated into Hare Krishna chants and adapted for Wicca ceremonies. The hymn has been employed in several films, including Alice's Restaurant, Coal Miner's Daughter, and Silkwood. It is referenced in the 2006 film Amazing Grace, which highlights Newton's influence on the leading British abolitionist William Wilberforce. The 1982 science fiction film Star Trek II: The Wrath of Khan used "Amazing Grace" amid a context of Christian symbolism, to memorialize the death of Mr. Spock but more practically, because the song has become "instantly recognizable to many in the audience as music that sounds appropriate for a funeral" according to a Star Trek scholar. Since 1954 when an organ instrumental of "New Britain" became a bestseller, "Amazing Grace" has been associated with funerals and memorial services. It has become a song that inspires hope in the wake of tragedy, becoming a sort of "spiritual national anthem" according to authors Mary Rourke and Emily Gwathmey.
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Famous quotes containing the word popular:
“If the Union is now dissolved it does not prove that the experiment of popular government is a failure.... But the experiment of uniting free states and slaveholding states in one nation is, perhaps, a failure.... There probably is an “irrepressible conflict” between freedom and slavery. It may as well be admitted, and our new relations may as be formed with that as an admitted fact.”
—Rutherford Birchard Hayes (1822–1893)
“The poet will prevail to be popular in spite of his faults, and in spite of his beauties too. He will hit the nail on the head, and we shall not know the shape of his hammer. He makes us free of his hearth and heart, which is greater than to offer one the freedom of a city.”
—Henry David Thoreau (1817–1862)