Group Work
Tatum tended to work and to record unaccompanied, partly because relatively few musicians could keep pace with his fast tempos and advanced harmonic vocabulary. Other musicians expressed amazed bewilderment at performing with Tatum. Drummer Jo Jones, who recorded a 1956 trio session with Tatum and bassist Red Callender is quoted as quipping, "I didn't even play on that session all I did was listen. I mean, what could I add? I felt like setting my damn drums on fire." Clarinetist Buddy DeFranco said that playing with Tatum was "like chasing a train." Tatum said of himself, "A band hampers me."
Tatum did not readily adapt or defer to other musicians in ensemble settings. Early in his career he was required to restrain himself when he worked as accompanist for vocalist Adelaide Hall in 1932-33. Perhaps because Tatum believed there was a limited audience for solo piano, he formed a trio in 1943 with guitarist Tiny Grimes and bassist Slam Stewart, whose perfect pitch enabled him to follow Tatum's excursions. He later recorded with other musicians, including a notable session with the 1944 Esquire Jazz All-Stars, which included Louis Armstrong, Billie Holiday and other jazz greats, at the Metropolitan Opera House in New York City. He also recorded memorable group sessions for Norman Granz in the mid-1950s.
Read more about this topic: Art Tatum
Famous quotes containing the words group and/or work:
“It is not God that is worshipped but the group or authority that claims to speak in His name. Sin becomes disobedience to authority not violation of integrity.”
—Sarvepalli, Sir Radhakrishnan (1888–1975)
“Whoever is not in the possession of leisure can hardly be said to possess independence. They talk of the dignity of work. Bosh. True work is the necessity of poor humanity’s earthly condition. The dignity is in leisure. Besides, 99 hundredths of all the work done in the world is either foolish and unnecessary, or harmful and wicked.”
—Herman Melville (1819–1891)