Style
Roa Bastos was an exponent of the Neobaroque style that brought Latin American literature to the fore internationally in the mid-20th century. Among others, the Chilean poet Pablo Neruda is also associated with this school of writing. The style uses a complex system of metaphors that are often very closely tied to the land, flora and culture of the particular writer, especially in the case of Roa Bastos. Magic realism is a Neobaroque concept that applies such systems of metaphor to otherwise realistic settings (Yo, el Supremo being a notable example of the form). The Neobaroque style was used by many Paraguayan writers in exile after 1947 and until the 1980s. At the core of much of the work from this group are ideas of political freedom and the emancipation of their homeland.
Roa Bastos started out writing poetry in the Spanish Renaissance and Baroque traditions. Later he took on "a new sensibility" in response to the poetry of Valle-Inclán, Juan Ramón Jiménez, and García Lorca. However, it is as a prose-fiction writer Roa Bastos has built his considerable reputation, through his novels and numerous short stories. Roa Bastos' novels blend the present and past by creating scenes with myths from pre-colonial times and Christian legends, developing a special kind of Magic Realism, although there are significant stylistic variations between his major novels.
Read more about this topic: Augusto Roa Bastos
Famous quotes containing the word style:
“We are often struck by the force and precision of style to which hard-working men, unpracticed in writing, easily attain when required to make the effort. As if plainness and vigor and sincerity, the ornaments of style, were better learned on the farm and in the workshop than in the schools. The sentences written by such rude hands are nervous and tough, like hardened thongs, the sinews of the deer, or the roots of the pine.”
—Henry David Thoreau (1817–1862)
“I might say that what amateurs call a style is usually only the unavoidable awkwardnesses in first trying to make something that has not heretofore been made.”
—Ernest Hemingway (1899–1961)
“It is the style of idealism to console itself for the loss of something old with the ability to gape at something new.”
—Karl Kraus (1874–1936)