Language and Culture
Baekje was established by immigrants from Goguryeo who spoke what could be a Buyeo language, a hypothetical group linking the languages of Gojoseon, Buyeo, Goguryeo, and Baekje. In a case of diglossia, the indigenous Samhan people, having migrated in an earlier wave from the same region, probably spoke a variation or dialect of the same language. (See Baekje language.)
Baekje artists adopted many Chinese influences and synthesized them into a unique artistic tradition. Buddhist themes are extremely strong in Baekje artwork. The beatific Baekje smile found on many Buddhist sculptures expresses the warmth typical of Baekje art. Taoist influences are also widespread. Chinese artisans were sent to the kingdom by the Liang Dynasty in 541, and this may have given rise to an increased Chinese influence in the Sabi period.
The tomb of King Muryeong (501–523), although modeled on Chinese brick tombs and yielding some imported Chinese objects, also contained many funerary objects of the Baekje tradition, such as the gold crown ornaments, gold belts, and gold earrings. Mortuary practices also followed the unique tradition of Baekje. This tomb is seen as a representative tomb of the Ungjin period.
Delicate lotus designs of the roof-tiles, intricate brick patterns, curves of the pottery style, and flowing and elegant epitaph writing characterize Baekje culture. The Buddhist sculptures and refined pagodas reflect religion-inspired creativity. A splendid gilt-bronze incense burner (백제금동대향로 Baekjegeumdongdaehyeongno) excavated from an ancient Buddhist temple site at Neungsan-ri, Buyeo County, exemplifies Baekje art.
Little is known of Baekje music, but local musicians were sent with tribute missions to China in the 7th century, indicating that a distinctive musical tradition had developed by that time.
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