Mythology
In European cultures, bats have long been associated with witchcraft, black magic and darkness. The witches incorporate bat in their brew in Shakespeare's Macbeth. Because bats are mammals, yet can fly, this gives them status as liminal beings in many cultural traditions.
The bat is sacred in Tonga and is often considered the physical manifestation of a separable soul. Bats are closely associated with vampires, who are said to be able to shapeshift into bats, fog, or wolves. Bats are also symbols of ghosts, death, and disease. Among some Native Americans, such as the Creek, Cherokee and Apache, the bat is a trickster spirit.
Chinese lore claims the bat is a symbol of longevity and happiness, and is similarly lucky in Poland and geographical Macedonia and among the Kwakiutl and Arabs.
Pre-Columbian cultures associated animals with gods, and often displayed them in art. The Moche people depicted bats in their ceramics.
In Western culture, the bat is often a symbol of the night and its foreboding nature. The bat is a primary animal associated with fictional characters of the night, both villains, such as Dracula, and heroes, such as Batman. The association of the fear of the night with the animal was treated as a literary challenge by Kenneth Oppel, who created a best-selling series of novels, beginning with Silverwing, which feature bats as the central heroic figures much as anthropomorphized rabbits were the central figures to the classic novel Watership Down.
An old wives' tale has it that bats will entangle themselves in people's hair. One likely source of this belief is that insect-eating bats seeking prey may dive erratically toward people, who attract mosquitoes and gnats, leading the squeamish to believe the bats are trying to get in their hair.
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Famous quotes containing the word mythology:
“The Anglo-American can indeed cut down, and grub up all this waving forest, and make a stump speech, and vote for Buchanan on its ruins, but he cannot converse with the spirit of the tree he fells, he cannot read the poetry and mythology which retire as he advances. He ignorantly erases mythological tablets in order to print his handbills and town-meeting warrants on them.”
—Henry David Thoreau (1817–1862)
“I walk out into a nature such as the old prophets and poets, Menu, Moses, Homer, Chaucer, walked in. You may name it America, but it is not America; neither Americus Vespucius, nor Columbus, nor the rest were the discoverers of it. There is a truer account of it in mythology than in any history of America, so called, that I have seen.”
—Henry David Thoreau (1817–1862)
“One memorable addition to the old mythology is due to this era,—the Christian fable. With what pains, and tears, and blood these centuries have woven this and added it to the mythology of mankind! The new Prometheus. With what miraculous consent, and patience, and persistency has this mythus been stamped on the memory of the race! It would seem as if it were in the progress of our mythology to dethrone Jehovah, and crown Christ in his stead.”
—Henry David Thoreau (1817–1862)