Published Works
- Ximena, or the Battle of the Sierra Morena, and other Poems (1844)
- Views Afoot, or Europe seen with Knapsack and Staff (1846) - http://www.gutenberg.org/ebooks/11535
- El Dorado; or, Adventures in the Path of Empire (1850)
- A Journey to Central Africa; or, Life and Landscapes from Egypt to the Negro Kingdoms of the White Nile (1854)
- The Lands of the Saracen; or, Pictures of Palestine, Asia Minor, Sicily and Spain (1854)
- A visit to India, China, and Japan in the year 1853 (1855) – digitized by University of Hong Kong Libraries, Digital Initiatives, "China Through Western Eyes."
- Northern Travel: Summer and Winter Pictures (1857)
- Hanna Thurston (1863)
- The Story of Kennett (1866)
- Joseph and His Friend: A Story of Pennsylvania (1870)
- Faust: A Tragedy translated in the Original Metres (1890)
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Famous quotes containing the words published works, published and/or works:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Until the Women’s Movement, it was commonplace to be told by an editor that he’d like to publish more of my poems, but he’d already published one by a woman that month ... this attitude was the rule rather than the exception, until the mid-sixties. Highest compliment was to be told, “You write like a man.””
—Maxine Kumin (b. 1925)
“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (1875–1955)