Career
Burke went on to play leads on Broadway in Mrs. Dot, Suzanne, The Runaway, The "Mind-the-Paint" Girl, and The Land of Promise from 1910 to 1913, along with a supporting role in the revival of Sir Arthur Wing Pinero's The Amazons. There she caught the eye of producer Florenz Ziegfeld, marrying him in 1914. In 1916, they had one daughter, Patricia Ziegfeld Stephenson (1916–2008). Burke was quickly signed for the movies, making her film debut in the title role of Peggy (1916). She continued to appear on the stage, and sometimes she starred on the screen. She loved the stage more than movie-business, not only because it was her first love, but also because it allowed her to have speaking parts (impossible in silent movies). But when the family's savings were wiped out in the Crash of 1929, she had no choice but to return to the screen.
In 1932, Burke made her Hollywood comeback, starring as Margaret Fairfield in A Bill of Divorcement, directed by George Cukor. (Burke played Katharine Hepburn's mother in the film, which was Hepburn's debut). Despite the death of Florenz Ziegfeld during the film's production, Burke resumed filming shortly after his funeral.
In 1933, Burke was cast as Mrs. Millicent Jordan, a scatterbrained high-society woman hosting a dinner party in the comedy Dinner at Eight, directed by George Cukor, co-starring with Lionel Barrymore, Marie Dressler, John Barrymore, Jean Harlow and Wallace Beery. The movie was a great success, and revived Burke's career. She subsequently starred in many comedies and musicals, typecast as a ditzy, fluffy and feather-brained upper-class matron with her high-pitched voice.
In 1936, MGM filmed a sanitized biopic of Florenz Ziegfeld (The Great Ziegfeld), a film that won Academy Awards for Best Picture and Best Actress (Luise Rainer as Ziegfeld's common-law wife, Anna Held). William Powell played Flo Ziegfeld and Myrna Loy played Burke.
In 1937 she appeared in the first of the Topper films, about a man haunted by two socialite ghosts (played by Cary Grant and Constance Bennett), in which she played the tremulous and daffy Clara Topper. Her performance as Emily Kilbourne in Merrily We Live (1938) resulted in her only Oscar nomination. In 1938 she was chosen to play Glinda, "the Good Witch of the North", in the Oscar-winning seminal 1939 musical film The Wizard of Oz, directed by Victor Fleming, with Judy Garland. Burke had worked on a Garland film, Everybody Sing, in which she played Judy's histrionically hysterical actress-mother. Another successful film series followed with Father of the Bride (1950) and Father's Little Dividend (1951), both directed by Vincente Minnelli and starring Spencer Tracy, Joan Bennett, and Elizabeth Taylor.
Burke wrote two autobiographies, both with Cameron Van Shippe, With a Feather on My Nose (Appleton 1949) and With Powder on My Nose (Coward McCann, 1959).
Read more about this topic: Billie Burke
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)