Bruce Springsteen - Musical Style

Musical Style

Bruce Springsteen draws on many musical influences from the reservoir of traditional American popular music, folk, blues and country. From the beginning, rock and roll has been the dominant influence. On his debut album, Greetings from Asbury Park, New Jersey, the folk-influence is clear. An example of the influence of this music genre to Springsteen's music is his song "This Hard Land" which demonstrates a clear influence of the style of Woody Guthrie.

He expanded the range of his musical compositions on his second album, The Wild, the Innocent & the E Street Shuffle. Elements of Latin American music, jazz, soul, and funk influences can be heard; the song "New York City Serenade" is even reminiscent of the music of George Gershwin. These two records prominently featured pianist David Sancious, who left the band shortly into the recording of Springsteen's third album, Born To Run. This album, however, also emphasized the piano, the responsibility now of Roy Bittan.

Earlier in his career, Springsteen focused more on the rock elements of his music. He initially compressed the sound and developed Darkness on the Edge Of Town just as straightforward as concise musical idiom, for the simple riffs, hard rock guitar solos and clearly recognizable song structures are dominant. He also drew upon a few influences from punk rock on the album, as can be heard on the heavy rhythm following the bridge solo on 'Candy's Room'. His music has been categorized as heartland rock, a style typified by Springsteen, John Fogerty, Tom Petty, Bob Seger, and John Mellencamp. This music has a lyrical reference to the U.S. everyday and the music is kept rather simple and straightforward. This development culminated with Springsteen's hit album Born in the U.S.A., the title song of which has a constantly repeating, fanfare-like keyboard riff and a pounding drum beat. These sounds fit with Springsteen's voice: it cries to the listener the unsentimental story of a disenchanted angry figure. Even songs that can be argued to be album tracks proved to be singles that enjoyed some chart success, such as "My Hometown" and "I'm on Fire", in which the drum line is formed from subtle hi-hat and rim-clicks-shock (shock at the edge of the snare drum) accompanied by synthesizer and Springsteen's soft guitar line. The album, along with some previous records such as "Cadillac Ranch" showed clear rockabilly influences as is evident from his guitar solos, in-fills and vocal styles on these. Another clear influence of early rock n roll on Springsteen's music is evident on the song "Light of Day".

In recent years, Springsteen has changed his music further. There are more folk elements up to the gospel to be heard. His last solo album, Devils and Dust, drew rave reviews not only for Springsteen's complex songwriting, but also for his expressive and sensitive singing.

On the album We Shall Overcome: The Seeger Sessions Springsteen performed folk classics with a folk band, rather than his usual E Street Band. On his ensuing tour he also interpreted some of his own rock songs in a folk style.

The 2007 album Magic was a reflection on the old stadium rock attitude and with its lush arrangements was almost designed to be performed at large stadiums, which also succeeded on the corresponding tour.

His 2012 album, Wrecking Ball, incorporated a variety of styles including rock, gospel, folk and even sampling and loops.

Read more about this topic:  Bruce Springsteen

Famous quotes containing the words musical and/or style:

    That vast moth-eaten musical brocade
    Created to pretend we never die ...
    Philip Larkin (1922–1986)

    The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
    Raymond Chandler (1888–1959)