Celtic Fusion
The oldest musical tradition which fits under the label of Celtic fusion originated in the rural American south in the early colonial period and incorporated Scottish, Scots-Irish, Irish, English, and African influences. Variously referred to as roots music, American folk music, or old-time music, this tradition has exerted a strong influence on all forms of American music, including country, blues, and rock and roll. In addition to its lasting effects on other genres, it marked the first modern large-scale mixing of musical traditions from multiple ethnic and religious communities within the Celtic diaspora.
In the 1960s several bands put forward modern adaptations of Celtic music pulling influences from several of the Celtic nations at once to create a modern pan-celtic sound. A few of those include bagadoù (Breton pipe bands), Fairport Convention, Pentangle, Steeleye Span and Horslips.
In the 1970s Clannad made their mark initially in the folk and traditional scene, and then subsequently went on to bridge the gap between traditional Celtic and pop music in the 1980s and 1990s, incorporating elements from New Age, smooth jazz, and folk rock. Traces of Clannad's legacy can be heard in the music of many artists, including Enya, Donna Taggart, Altan, Capercaillie, The Corrs, Loreena McKennitt, Anúna, Riverdance and U2.
Later, beginning in 1982 with The Pogues' invention of Celtic folk-punk and Stockton's Wing blend of Irish traditional and Pop, Rock and Reggie, there has been a movement to incorporate Celtic influences into other genres of music. Bands like Flogging Molly, Black 47, Dropkick Murphys, The Young Dubliners, The Tossers introduced a hybrid of Celtic rock, punk, reggae, hardcore and other elements in the 1990s that has become popular with Irish-American youth.
Today there are Celtic-influenced sub genres of virtually every type of popular music including electronica, rock, metal, punk, hip hop, reggae, new age, Latin, Andean and pop. Collectively these modern interpretations of Celtic music are sometimes referred to as Celtic fusion.
Read more about this topic: Celtic Music
Famous quotes containing the words celtic and/or fusion:
“I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, a plant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us.”
—Marcel Proust (1871–1922)
“The sadistic person is as dependent on the submissive person as the latter is on the former; neither can live without the other. The difference is only that the sadistic person commands, exploits, hurts, humiliates, and that the masochistic person is commanded, exploited, hurt, humiliated. This is a considerable difference in a realistic sense; in a deeper emotional sense, the difference is not so great as that which they both have in common: fusion without integrity.”
—Erich Fromm (1900–1980)