Charles Wesley - Best-known Hymns

Best-known Hymns

In the course of his career, Charles Wesley published the words of over six thousand hymns, writing the words for a further two thousand, many of which are still popular. These include:

  • "Arise my soul arise"
  • "And Can It Be That I Should Gain?" (Lyrics)
  • "Christ the Lord Is Risen Today" (Lyrics)
  • "Christ, Whose Glory Fills the Skies" (Lyrics)
  • "Come, O Thou Traveler unknown" (Lyrics)
  • "Come Thou Long Expected Jesus" (Lyrics)
  • "Depth of Mercy, Can it Be" (Lyrics)
  • "Father, I Stretch My Hands to Thee" (Lyrics)
  • "Hail the Day that Sees Him Rise" (Lyrics)
  • "Hark! the Herald Angels Sing" (Lyrics)
  • "Jesus, Lover of My Soul" (Lyrics)
  • "Jesus, The Name High Over All" (Lyrics)
  • "Lo! He Comes with Clouds Descending" (Lyrics)
  • "Love Divine, All Loves Excelling" (Lyrics)
  • "O for a Thousand Tongues to Sing" (Lyrics)
  • "Rejoice, the Lord is King" (Lyrics)
  • "Soldiers of Christ, Arise" (Lyrics)
  • "Thou Hidden Source of Calm Repose" (Lyrics)
  • "Ye Servants of God" (Lyrics)

The lyrics to many more of Charles Wesley's hymns can be found on Wikisource and "Hymns and Sacred Poems".

Some 150 of his hymns are in the Methodist hymn book Hymns and Psalms, including "Hark! the Herald Angels Sing, and "The Church Hymn Book" (In New York and Chicago, USA, 1872) where "Jesus, Lover of My Soul" is published.

Many of his hymns are translated into other languages, and form the foundation for Methodist hymnals, as the Swedish Metodist-Episkopal-Kyrkans Psalmbok printed in Stockholm in 1892.

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Famous quotes containing the word hymns:

    The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.
    Henry Brooks Adams (1838–1918)