Chuck Wright is an American bassist, best known as the bassist of heavy metal band Quiet Riot. He originally joined Quiet Riot in 1982, performing bass on several tracks for their hit album, Metal Health, as well as contributing backing vocals. He left and rejoined Quiet Riot multiple times, including in August 2006 to support the album Rehab. He is currently back in the band.
Chuck's career in mainstream heavy metal first took off with his band Giuffria's hit "Call To The Heart" in early 1985. After sold out arena tours with Deep Purple then Foreigner, he left Giuffria to re-join Quiet Riot. His reputation as one of the most accomplished bass players later landed him working with such music icons as Alice Cooper, Gene Simmons, Slash, Gregg Allman, Carmine Appice, Ronnie Montrose and Pat Travers. He has over 80 International record releases and has played bass and produced albums covering styles from Ambient Trance, to Reggae to Rap to Country to Rock. Chuck has toured the world performing from Moscow to Tokyo over the past 20 years. He was also directly involved in seven film scores, most notably being the Universal picture release “Kull The Conqueror”, where he was joined by Guns N' Roses drummer Matt Sorum and the London Philharmonic Orchestra. Along the way, he's also worked with the following bands/artists: House Of Lords, Bad Moon Rising, Blackthorne, Christian Tolle Project, Doro, Impellitteri, Kuni, MSG, Magdalen, Murderer's Row, Pata, Paul Shortino's The Cutt, Stephen Pearcy, Adler's Appetite, Love/Hate, Stuart Smith, Ken Tamplin, and has recorded various tribute albums with other luminaries.
Chuck also plays a fretless bass and is endorsed by Ampeg, Dunlop Strings, Godin Guitars, Schecter Guitar Research and Sick Boy Motorcycles.
Famous quotes containing the words chuck and/or wright:
“The chuck wagon carries the food and utensils for the range kitchen. Man-at-the-pot is the first buckaroo to pick up the coffee pot when out with the chuck wagons. It becomes his duty to pour the coffee for the outfit. “Come and get her before I throw her out” is the time honored mess call.”
—Administration in the State of Neva, U.S. public relief program (1935-1943)
“Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl’s wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.”
—James Wright (1927–1980)