Stage Work
- Sundown Beach (September 7–11, 1948) (Broadway)
- South Pacific (April 7, 1949 – January 16, 1954) (Month-long replacement for Martha Wright) (Broadway)
- Come Back, Little Sheba (February 15 – July 29, 1950) (Pre-Broadway tryout; left cast to star in As You Like It)
- As You Like It (January 26 – June 3, 1950) (Broadway)
- A Story for a Sunday Evening (November 17–25, 1950) (Broadway; Won Theatre World Award)
- Lo and Behold! (December 12, 1951 – January 12, 1952) (Broadway)
- Dear Barbarians (February 21–24, 1952) (Broadway)
- Sunday Breakfast (May 28 – June 8, 1952) (Broadway)
- The Crucible (January 22 – July 11, 1953) (replacement for Madeleine Sherwood) (Broadway)
- King of Hearts (April 1 – November 27, 1954 (Broadway)
- A Touch of the Poet (October 2, 1958 – June 13, 1959) (replacement for Kim Stanley) (Broadway)
- Masquerade (March 16, 1959) (Broadway)
- A Fatal Weakness (1985) (Monaco)
- Grandma Moses: An American Primitive (1989–1990) (one woman show; national tour)
- Show Boat (1994) (national tour)
Read more about this topic: Cloris Leachman
Famous quotes containing the words stage and/or work:
“The stage is not merely the meeting place of all the arts, but is also the return of art to life.”
—Oscar Wilde (1854–1900)
“There is only one art, whose sole criterion is the power, the authenticity, the revelatory insight, the courage and suggestiveness with which it seeks its truth.... Thus, from the standpoint of the work and its worth it is irrelevant to which political ideas the artist as a citizen claims allegiance, which ideas he would like to serve with his work or whether he holds any such ideas at all.”
—Václav Havel (b. 1936)