Country blues otherwise known as acoustic blues (also folk blues, rural blues, backwoods blues, or downhome blues) is a general term that refers to all the acoustic, mainly guitar-driven forms of the blues. It often incorporated elements of rural gospel, ragtime, hillbilly, and dixieland jazz. After blues' birth in the southern United States, it quickly spread throughout the country (and elsewhere), giving birth to a host of regional styles. These include Memphis, Detroit, Chicago, Texas, Piedmont, Louisiana, West Coast, Atlanta, St. Louis, East Coast, Swamp, New Orleans, Delta, Hill country and Kansas City blues.
When African-American musical tastes began to change in the early 1960s, moving toward soul and rhythm and blues music, country blues found renewed popularity as "folk blues" and was sold to a primarily white, college-age audience. Traditional artists like Big Bill Broonzy and Sonny Boy Williamson II reinvented themselves as folk blues artists, while Piedmont bluesmen like Sonny Terry and Brownie McGhee found great success on the folk festival circuit.
The title "country blues" does not mean blending country music with blues music.
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Famous quotes containing the words country and/or blues:
“In no nation are the institutions of progress more advanced. In no nation are the fruits of accomplishment more secure. In no nation is the government more worthy of respect. No country is more loved by its people. I have an abiding faith in their capacity, integrity and high purpose. I have no fears for the future of our country. It is bright with hope.”
—Herbert Hoover (1874–1964)
“Holly Golightly: You know those days when you’ve got the mean reds?
Paul: The mean reds? You mean like the blues?
Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.”
—George Axelrod (b. 1922)