Critical Theory - in Social Theory

In Social Theory

Part of a series on the
Frankfurt School
Major works
Reason and Revolution
The Work of Art in the
Age of Mechanical Reproduction Eclipse of Reason
The Fear of Freedom
Dialectic of Enlightenment
Minima Moralia
Eros and Civilization
One-Dimensional Man
Negative Dialectics
The Structural Transformation
of the Public Sphere The Theory of Communicative Action
Notable theorists
Max Horkheimer · Theodor Adorno
Herbert Marcuse · Walter Benjamin
Erich Fromm · Friedrich Pollock
Leo Löwenthal · Jürgen Habermas
Important concepts
Critical theory · Dialectic · Praxis
Psychoanalysis · Antipositivism
Popular culture · Culture industry
Advanced capitalism
Privatism · Non-identity
Communicative rationality
Legitimation crisis

Critical theory was first defined by Max Horkheimer of the Frankfurt School of sociology in his 1937 essay Traditional and Critical Theory: Critical theory is a social theory oriented toward critiquing and changing society as a whole, in contrast to traditional theory oriented only to understanding or explaining it. Horkheimer wanted to distinguish critical theory as a radical, emancipatory form of Marxian theory, critiquing both the model of science put forward by logical positivism and what he and his colleagues saw as the covert positivism and authoritarianism of orthodox Marxism and Communism.

Core concepts are: (1) That critical social theory should be directed at the totality of society in its historical specificity (i.e. how it came to be configured at a specific point in time), and (2) That critical theory should improve understanding of society by integrating all the major social sciences, including geography, economics, sociology, history, political science, anthropology, and psychology.

This version of "critical" theory derives from Kant's (18th-century) and Marx's (19th Century) use of the term "critique", as in Kant's Critique of Pure Reason and Marx's concept that his work Das Kapital (Capital) forms a "critique of political economy." For Kant's transcendental idealism, "critique" means examining and establishing the limits of the validity of a faculty, type, or body of knowledge, especially through accounting for the limitations imposed by the fundamental, irreducible concepts in use in that knowledge system.

Kant's notion of critique has been associated with the disestablishment of false, unprovable, or dogmatic philosophical, social, and political beliefs, because Kant's critique of reason involved the critique of dogmatic theological and metaphysical ideas and was intertwined with the enhancement of ethical autonomy and the Enlightenment critique of superstition and irrational authority. Ignored by many in "critical realist" circles, however, is that Kant's immediate impetus for writing his "Critique of Pure Reason" was to address problems raised by David Hume's skeptical empiricism which, in attacking metaphysics, employed reason and logic to argue against the knowability of the world and common notions of causation. Kant, by contrast, pushed the employment of a priori metaphysical claims as requisite, for if anything is to be said to be knowable, it would have to be established upon abstractions distinct from perceivable phenomena.

Marx explicitly developed the notion of critique into the critique of ideology and linked it with the practice of social revolution, as in the famous 11th of his Theses on Feuerbach, "Philosophers have only interpreted the world in certain ways; the point is to change it."

One of the distinguishing characteristics of critical theory, as Adorno and Horkheimer elaborated in their Dialectic of Enlightenment (1947), is a certain ambivalence concerning the ultimate source or foundation of social domination, an ambivalence which gave rise to the “pessimism” of the new critical theory over the possibility of human emancipation and freedom. This ambivalence was rooted, of course, in the historical circumstances in which the work was originally produced, in particular, the rise of National Socialism, state capitalism, and mass culture as entirely new forms of social domination that could not be adequately explained within the terms of traditional Marxist sociology.

For Adorno and Horkheimer state intervention in the economy had effectively abolished the tension in capitalism between the "relations of production" and "material productive forces of society," a tension which, according to traditional critical theory, constituted the primary contradiction within capitalism. The market (as an "unconscious" mechanism for the distribution of goods) and private property had been replaced by centralized planning and socialized ownership of the means of production.

Yet, contrary to Marx’s famous prediction in the Preface to a Contribution to the Critique of Political Economy, this shift did not lead to "an era of social revolution," but rather to fascism and totalitarianism. As such, critical theory was left, in Jürgen Habermas’ words, without "anything in reserve to which it might appeal; and when the forces of production enter into a baneful symbiosis with the relations of production that they were supposed to blow wide open, there is no longer any dynamism upon which critique could base its hope." For Adorno and Horkheimer, this posed the problem of how to account for the apparent persistence of domination in the absence of the very contradiction that, according to traditional critical theory, was the source of domination itself.

In the 1960s, Jürgen Habermas raised the epistemological discussion to a new level in his Knowledge and Human Interests, by identifying critical knowledge as based on principles that differentiated it either from the natural sciences or the humanities, through its orientation to self-reflection and emancipation. Though unsatisfied with Adorno and Horkeimer's thought presented in Dialectic of Enlightenment, Habermas shares the view that, in the form of instrumental rationality, the era of modernity marks a move away from the liberation of enlightenment and toward a new form of enslavement.

His ideas regarding the relationship between modernity and rationalization are in this sense strongly influenced by Max Weber. Habermas dissolved further the elements of critical theory derived from Hegelian German Idealism, though his thought remains broadly Marxist in its epistemological approach. Perhaps his two most influential ideas are the concepts of the public sphere and communicative action; the latter arriving partly as a reaction to new post-structural or so-called "post-modern" challenges to the discourse of modernity. Habermas engaged in regular correspondence with Richard Rorty and a strong sense of philosophical pragmatism may be felt in his theory; thought which frequently traverses the boundaries between sociology and philosophy.

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