Methods of Single Decreasing (knitting)
When more than one stitch is suspended from a stitch, they can hang in different orders. For example, the first stitch could be on top of the second stitch (when seen from the right side) or the reverse, leaning to the left or the right. The order of stitches is important, both for appearance and for the way it pulls the fabric.
- K2tog ("knit two together") -- Work to the two stitches to be decreased, insert the right-hand needle into the first two stitches as if to knit, wrap yarn around needle in normal manner, slip the two stitches off together and drop them. This creates a right-leaning decrease.
- SSK ("slip, slip, knit") -- Work to the two stitches to be decreased, slip two stitches one at a time to the right-hand needle, as if to knit; insert the left-hand needle into the two stitches from front to back, knit the two stitches together and drop them. This creates a left-leaning decrease.
- S1, K1, PSSO ("slip one, knit one, pass slipped stitch over") -- This results in a similar look to the SSK but can appear less tidy. Work to the two stitches to be decreased, slip next stitch to the right-hand needle as if to knit, knit next stitch, pass slipped stitch over knit stitch. Also creates a left-leaning decrease.
- K2tog tbl ("knit two together through the back loops") -- This looks similar to the SSK or S1, K, PSSO, but is faster to work. Work to the two stitches to be decreased, then insert the right hand needle into the backs of the next two stitches (i.e. behind the left-hand needle, such that the two needles are anti-parallel in the stitches). Wrap the yarn normally and slip the two stitches off the left needle. This makes a left-leaning decrease.
Read more about this topic: Decrease
Famous quotes containing the words methods, single and/or decreasing:
“The comparison between Coleridge and Johnson is obvious in so far as each held sway chiefly by the power of his tongue. The difference between their methods is so marked that it is tempting, but also unnecessary, to judge one to be inferior to the other. Johnson was robust, combative, and concrete; Coleridge was the opposite. The contrast was perhaps in his mind when he said of Johnson: “his bow-wow manner must have had a good deal to do with the effect produced.””
—Virginia Woolf (1882–1941)
“There is no single face in nature, because every eye that looks upon it, sees it from its own angle. So every mans spice-box seasons his own food.”
—Zora Neale Hurston (1891–1960)
“Have you not a moist eye, a dry hand, a yellow cheek, a white
beard, a decreasing leg, an increasing belly? Is not your
voice broken, your wind short, your chin double, your wit
single, and every part about you blasted with antiquity? and
will you yet call yourself young?”
—William Shakespeare (1564–1616)