Production
The initial setting of the film is in Akihabara, Tokyo.
Mark Schilling of The Japan Times comments that "since Fuji TV intends Densha Otoko for prime-time broadcast, Hermess (Nakatani) can only suggest a big sisterly friendliness and affection, meaning that the sexual chemistry between her and Train Man (Yamada) is zero". Pop Culture Shock's Erin Finnegan reported, "when asked if the original novel would ever be imported, manga industry reps at New York Comic Con lamented that 2chan's version of l33t is nearly impossible to translate." The fansite compiling the posts which became the book has been translated into other languages by fans of the story, including into English in 2006. President and CEO for Viz Pictures, Seiji Horibuchi, comments that the film Train Man: Densha Otoko "will make people think fondly about their own first experiences with love and the thrill and rush it caused. Perhaps it will even inspire a few to take a chance on someone they like!"
For Densha Otoko, two manga versions were seinen (geared toward young men); one was shōnen (for boys); and one was shōjo (for girls). Del Rey Manga licensed the shōjo version from Kodansha, with which it has strong ties. Viz Media licensed a seinen version, and CMX licensed the shōnen version. The fourth version (seinen) is currently being scanlated by the online scanlation group the Waffle House. —Kai-Ming Cha, Publishers WeeklyRead more about this topic: Densha Otoko
Famous quotes containing the word production:
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)