Synthesis
Because diols are a common functional group arrangement, numerous methods of preparation have been developed.
- Vicinal diols can be produced from the oxidation of alkenes, usually with dilute acidic potassium permanganate, also known as potassium manganate(VII). Using alkaline potassium manganate(VII) produces a colour change from clear deep purple to clear green; acidic potassium manganate(VII) turns clear colourless.
- Osmium tetroxide can similarly be used to oxidize alkenes to vicinal diols.
- Hydrogen peroxide reacts with an alkene to the epoxide and then by saponification to the diol for example in the synthesis of trans-cyclohexanediol batch or by microreactor :
- A chemical reaction called Sharpless asymmetric dihydroxylation can be used to produce chiral diols from alkenes using an osmate reagent and a chiral catalyst.
- Another method is the Woodward cis-hydroxylation (cis diol) and the related Prévost reaction (anti diol), depicted below, which both use iodine and the silver salt of a carboxylic acid.
- In the Prins reaction 1,3-diols can be formed in a reaction between an alkene and formaldehyde.
- Geminal diols can be formed by the hydration of ketones.
Read more about this topic: Diol
Famous quotes containing the word synthesis:
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (18381918)
“It is not easy to construct by mere scientific synthesis a foolproof system which will lead our children in a desired direction and avoid an undesirable one. Obviously, good can come only from a continuing interplay between that which we, as students, are gradually learning and that which we believe in, as people.”
—Erik H. Erikson (20th century)
“The invention of photography provided a radically new picture-making processa process based not on synthesis but on selection. The difference was a basic one. Paintings were madeconstructed from a storehouse of traditional schemes and skills and attitudesbut photographs, as the man on the street put, were taken.”
—Jean Szarkowski (b. 1925)