Edna Ferber - Works

Works

  • Dawn O'Hara (1911)
  • Buttered Side Down (1912)
  • Roast Beef, Medium (Frederick A. Stokes Company, 1913)
  • Personality Plus (1914)
  • Emma Mc Chesney and Co. (1915)
  • Our Mrs. McChesney (1915) (with George V. Hobart)
  • Fanny Herself (1917)
  • Cheerful – By Request (1918)
  • Half Portions (1919)
  • The Girls (Edna Ferber novel) (1921)
  • Gigolo (1922)
  • So Big (1924) (won Pulitzer Prize)
  • Minick: A Play (1924) (with G. S. Kaufman)
  • Show Boat (1926, Grosset & Dunlap)
  • Stage Door (1926) (with G.S. Kaufman)
  • The Royal Family (1927) (with G. S. Kaufman)
  • Cimarron (1929)
  • American Beauty (1931)
  • Dinner at Eight (1932) (with G. S. Kaufman)
  • They Brought Their Women (1933)
  • Come and Get It (1935)
  • Nobody's in Town (1938)
  • A Peculiar Treasure (1939)
  • The Land Is Bright (1941)
  • Saratoga Trunk (1941)
  • No Room at the Inn (1941)
  • Great Son (1945)
  • Saratoga Trunk (1945) (with Casey Robinson)
  • Bravo (1949) (with G. S. Kaufman)
  • Giant (1952)
  • Ice Palace (1958)
  • A Kind of Magic (1963)

Musicals adapted from Ferber novels:

  • Show Boat (1927) – music by Jerome Kern, lyrics and book by Oscar Hammerstein II, produced by Florenz Ziegfeld
  • Saratoga (musical) (1959) – music by Harold Arlen, lyrics by Johnny Mercer, dramatized by Morton DaCosta
  • Giant (2009) – music and lyrics by Michael John LaChiusa, book by Sybille Pearson

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Famous quotes containing the word works:

    I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.
    Ralph Waldo Emerson (1803–1882)

    Most works of art, like most wines, ought to be consumed in the district of their fabrication.
    Rebecca West (1892–1983)

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)