Works
- Komödie der Eitelkeit 1934 (The Comedy of Vanity)
- Die Blendung 1935 (Auto-da-Fé, novel, tr.1946)
- Die Befristeten 1956 (1956 premiere of the play in Oxford) (Their Days are Numbered)
- Masse und Macht 1960 (Crowds and Power, study, tr. 1962, published in Hamburg)
- Aufzeichnungen 1942 – 1948 (1965) (Sketches)
- Die Stimmen von Marrakesch 1968 published by Hanser in Munich (The Voices of Marrakesh, travelogue, tr. 1978)
- Der andere Prozess 1969 Kafkas Briefe an Felice (Kafka's Other Trial, tr. 1974).
- Hitler nach Speer (Essay)
- Die Provinz des Menschen Aufzeichnungen 1942 – 1972 (The Human Province, tr. 1978)
- Der Ohrenzeuge. Fünfzig Charaktere 1974 ("Ear Witness: Fifty Characters", tr. 1979).
- Das Gewissen der Worte 1975. Essays (The Conscience of Words)
- Die Gerettete Zunge 1977 (The Tongue Set Free, memoir, tr. 1979 by Joachim Neugroschel)
- Die Fackel im Ohr 1980 Lebensgeschichte 1921 – 1931 (The Torch in My Ear, memoir, tr. 1982)
- Das Augenspiel 1985 Lebensgeschichte 1931 – 1937 (The Play of the Eyes, memoir, tr. 1990)
- Das Geheimherz der Uhr: Aufzeichnungen 1987 (The Secret Heart of the Clock, tr. 1989)
- Die Fliegenpein (The Agony of Flies, 1992)
- Nachträge aus Hampstead (Notes from Hampstead, 1994)
- The Voices of Marrakesh (published posthumously, Arion Press 2001, with photographs by Karl Bissinger and etchings by William T. Wiley )
- Party im Blitz; Die englischen Jahre 2003 (Party in the Blitz, memoir, published posthumously, tr. 2005)
- Aufzeichnungen für Marie-Louise (written 1942, compiled and published posthumously, 2005)
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Famous quotes containing the word works:
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (1876–1959)
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus’ example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders man’s spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (1821–1910)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)