Ella Wheeler Wilcox - Poetry

Poetry

A popular poet rather than a literary poet, in her poems she expresses sentiments of cheer and optimism in plainly written, rhyming verse. Her world view is expressed in the title of her poem "Whatever Is—Is Best", suggesting an echo of Alexander Pope's "Whatever is, is right."

None of Wilcox's works were included by F. O. Matthiessen in The Oxford Book of American Verse, but Hazel Felleman chose no fewer than fourteen of her poems for Best Loved Poems of the American People, while Martin Gardner selected "Solitude" and "The Winds of Fate" for Best Remembered Poems.

She is frequently cited in anthologies of bad poetry, such as The Stuffed Owl: An Anthology of Bad Verse and Very Bad Poetry. Sinclair Lewis indicates Babbitt's lack of literary sophistication by having him refer to a piece of verse as "one of the classic poems, like 'If' by Kipling, or Ella Wheeler Wilcox's 'The Man Worth While.'" The latter opens:

It is easy enough to be pleasant,
When life flows by like a song,
But the man worth while is one who will smile,
When everything goes dead wrong.

Her most famous lines open her poem "Solitude":

Laugh and the world laughs with you,
Weep, and you weep alone;
The good old earth must borrow its mirth,
But has trouble enough of its own.

"The Winds of Fate" is a marvel of economy, far too short to summarize. In full:

One ship drives east and another drives west
With the selfsame winds that blow.
'Tis the set of the sails,
And Not the gales,
That tell us the way to go.
Like the winds of the sea are the ways of fate;
As we voyage along through life,
'Tis the set of a soul
That decides its goal,
And not the calm or the strife.

Ella Wheeler Wilcox cared about alleviating animal suffering, as can be seen from her poem, Voice of the Voiceless. It begins as follows.

I am the voice of the voiceless;
Through me the dumb shall speak,
Till the deaf world’s ear be made to hear
The wrongs of the wordless weak.
From street, from cage, and from kennel,
From stable and zoo, the wail
Of my tortured kin proclaims the sin
Of the mighty against the frail.

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    For poetry was all written before time was, and whenever we are so finely organized that we can penetrate into that region where the air is music, we hear those primal warblings, and attempt to write them down, but we lose ever and anon a word, a verse, and substitute something of our own, and thus miswrite the poem.
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