The Elm in Art
Many artists have admired elms for the ease and grace of their branching and foliage, and have painted them with sensitivity. Elms are a recurring element in the landscapes and studies of, for example, John Constable, Ferdinand Georg Waldmüller, Frederick Childe Hassam, Karel Klinkenberg, and George Inness.
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John Constable, 'Study of an Elm Tree'
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John Constable, 'The Cornfield' (Ulmus × hollandica )
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Constable, 'Salisbury Cathedral from the Bishop's Garden' (Ulmus × hollandica )
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Ferdinand Georg Waldmüller, 'Alte Ulmen im Prater' (:Old Elms in Prater)
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James Duffield Harding, 'The Great Exhibition of 1851' (Ulmus procera, centre)
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Arthur Hughes, 'Home from Sea' (Ulmus procera )
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Ford Madox Brown, 'Work' (Ulmus procera )
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Johannes Karel Christiaan Klinkenberg, 'Amsterdam' (Ulmus x hollandica ‘Belgica’ )
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Frederick Childe Hassam, 'Champs Elysées, Paris' (Ulmus × hollandica, 'orme femelle' )
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Frederick Childe Hassam, 'Washington Arch, Spring' (Ulmus americana)
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Frederick Childe Hassam, 'Church at Old Lyme' (Ulmus americana)
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Frederick Childe Hassam, 'Church at Old Lyme' (Ulmus americana)
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George Inness, 'Old Elm at Medfield' (Ulmus americana)
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Unknown artist, 'The Cam near Trinity College, Cambridge', England (Ulmus minor)
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Famous quotes containing the words elm and/or art:
“Men nowhere, east or west, live yet a natural life, round which the vine clings, and which the elm willingly shadows. Man would desecrate it by his touch, and so the beauty of the world remains veiled to him. He needs not only to be spiritualized, but naturalized, on the soil of earth.”
—Henry David Thoreau (18171862)
“A book should contain pure discoveries, glimpses of terra firma, though by shipwrecked mariners, and not the art of navigation by those who have never been out of sight of land. They must not yield wheat and potatoes, but must themselves be the unconstrained and natural harvest of their authors lives.”
—Henry David Thoreau (18171862)