Feminist Art Movement - Further Reading

Further Reading

• Armstrong, Carol and Catherine de Zegher (eds.), Women Artists at the Millennium, The MIT Press, Cambridge, 2006.
• Bee, Susan and Mira Schor (eds.), The M/E/A/N/I/N/G Book, Duke University Press, Durham, NC, 20000.
• Bowman, Ruth. "A Grand Melee of Radical Procedures: Miriam Schapiro on CalArts and the Feminist Art Program", East of Borneo (Nov 2011).
• Breslauer, Jan. "California Performance." Performing Arts Journal 14.2 (1992): 87-96.
• Brooke, Kaucyila. "She Does Not See What She Does Not Know." X-TRA 6.3 (2004).
• Brooklyn Museum. "Elizabeth A. Sackler Center for Feminist Art: Feminist Timeline."
• Broude, Norma and Mary D. Garrard, eds. The Power of Feminist Art: The American Movement of the 1970s, History and Impact. New York: Abrams, 1994.
• Brown, Betty Ann, ed. Expanding Circles: Women, Art & Community. New York: Midmarch, 1996.
• Brown, Betty Ann. "Feminist Art Education at the Los Angeles Woman's Building." From Site to Vision, the Woman's Building in Contemporary Culture. Sondra Hale and Terry Wolverton, eds. Ben Maltz Gallery, Otis College of Art and Design, 2011.
• Burnham, Linda. "Running Commentary: The Los Angeles Woman's Building, One of the Oldest Feminist Institutions in the World, Is Folding." High Performance 14 (Fall 1991): 8-9.
• Burton, Sandra. "Bad-Dream House." Time Magazine (Special Issue on The American Woman). March 20, 1972: 77.
• Butler, Connie. WACK! Art and the Feminist Revolution, Los Angeles: Museum of Contemporary Art. 2007.
• Chicago, Judy. Beyond the Flower: The Autobiography of a Feminist Artist. New York: Viking, 1996.
• Chicago, Judy. The Dinner Party: A Symbol of Our Heritage. Garden City, N.Y.: Anchor Press/Doubleday, 1979.
• Chicago, Judy. Embroidering Our Heritage: The Dinner Party. Garden City, N.Y.: Anchor Press/Doubleday, 1979.
• Chicago, Judy. Through the Flower: My Struggle as a Woman Artist. Doubleday, 1975.
• Chicago, Judy and Miriam Schapiro, Womanhouse. Valencia: California Institute for the Arts. 1972.
• Cheng, Meiling. In Other Los Angeleses: Multicentric Performance Art. Berkeley: University of California Press, 2002.
• Chrysalis Magazine. (10 issues published from 1977–1981). Issue 1 (PDF) available at East of Borneo
• Clifton, Leigh Ann. "Separate and Equal." Artweek 6 August 1992: 4-5.
• Cochrane, Diane. "Women in Art: A Progress Report." American Artist. ec. 1972: 52-56+.
• Cottingham, Laura. How Many 'Bad' Feminists Does It Take to Change a Light Bulb? New York: Sixty Percent Solution. 1994.
• Cottingham, Laura. "L.A. Womyn: The Feminist Art Movement in Southern California, 1970-1979." Sunshine & Noir: Art in L.A. 1960-1997. Lars Nittve and Helle Crenzien, eds. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1997. 188-199.
• Cottingham, Laura. Seeing Through the Seventies: Essays on Feminism and Art. Amsterdam, The Netherlands: G+B Arts, 2000.
• Cranston, Meg. "Everything's Important: A Consideration of Feminist Video in the Woman's Building Collection." California Video: Artists and Histories, Glenn Phillips, ed. Los Angeles: Getty Getty Research Institute. 2008. 269-273.
• De Bretteville, Sheila Levrant. "Feminist Design." Space and Society, 6.2 (1983): 98-103.
• De Bretteville, Sheila Levrant. "The Los Angeles Woman's Building: A Public Center for Woman's Culture." New Space for Women, edited by Gerda R. Wekerle, Rebecca Peterson, and David Morley. Boulder, Colo.: Westview Press, 1980.
• de Zegher, Catherine, Inside the Visible, MIT Press, Massachusetts, 1996.
• de Zegher, Catherine and Teicher, Hendel (Eds.), 3 X Abstraction, Yale University Press, New Haven, Drawing Center, New York, 2005.
• de Zegher, Catherine, Eva Hesse Drawing, NY: The Drawing Center//New Haven: Yale University Press, 2006.
• Deepwell, Katy, ed. New Feminist Art Criticism: Critical Strategies. Manchester, New York: Manchester University Press, 1995.
• Dougherty, Cecilia. "Stories from a Generation: Early Video at the LA Woman's Building." Afterimage 26.1 (1998): 8-11.
• Donohue, Marlena Doktorczyk. "The Waitresses in Context." The Waitresses Unpeeled. Los Angeles: Ben Maltz Gallery, 2011.
• Edelson, Mary Beth and Arlene Raven, "Happy Birthday America." Chrysalis Magazine, 1.1 (1977): 49-53.
• Elliott, Maud Howe, ed. Art and Handicraft in the Woman's Building of the World's Columbian Exposition Chicago, 1893. Chicago and New York: Rand, McNally & Company: 1894.
• "Feminist Education" Spinning Off. July 1978. 1.
• Frueh, Joanna and Arlene Raven, "Feminist Art Criticism: Its Demise and Resurrection," Feminist Art Criticism. Spec. issue of Art Journal. 50.2 (1991): 6-10.
• Frueh, Joanna, Cassandra L. Langer, and Arlene Raven, eds. New Feminist Criticism: Art, Identity, Action, 1993.
• Vivien Green Fryd, "Suzanne Lacy's Three Weeks in May: Performance Art as "Expanded Public Pedagogy," National Women's Studies Association Journal 19 (2007): 23–38.
• Diana Fuller and Daniela Salvioni, eds. Art/Women/California 1950–2000: Parallels and Intersections. Berkeley: University of California Press. 2002.
• Gaulke, Cheri. "Acting Like Women" Performance Art of the Woman's Building." Citizen Artist: 20 Years of Art in the Public Arena. Linda Frye Burnham and Steven Durland, eds. Gardiner, NY : Critical Press. 1998.
• Gopnick, Blake. "What Is Feminist Art?" New York Post, April 22, 2007.
• Grenier, Catherine, ed. Catalog L.A.: Birth of an Art Capital: 1955-1985. San Francisco, CA: Chronicle Books, 2007.
• Gouma-Peterson, Thalia and Patricia Mathews. "The Feminist Critique of Art History," The Art Bulletin. 69.3 (1987): 326-357.
• Gouma-Peterson, Thalia. Miriam Schapiro: Shaping the Fragments of Art and Life. New York: Harry N. Abrams, 1999.
• Hale, Sondra and Terry Wolverton, eds. From Site to Vision: the Woman's Building in Contemporary Culture. Los Angeles: Otis College of Art and Design, 2011.
• Hammond, Harmony. Lesbian Art in America: A Contemporary History. New York: Rizzoli, 2000.
• Harper, Paula. "The First Feminist Art Program: A View from the 1980s." Signs 10.4 (1985): 762-781.
• Hess, Thomas B. and Elizabeth C. Baker, eds. Art and Sexual Politics: Women's Liberation, Women Artists, and Art History. New York, Macmillan, 1973
• Hunt, Annette and Nancy Angelo, "Bedtime Stories: Women Speak Out About Incest," Spinning Off, October/November 1979: 1.
• Irish, Sharon. Suzanne Lacy: Spaces Between. Minneapolis: University of Minnesota Press, 2010.
• Isaak, Jo Anna . Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter. New York: Routledge, 1996.
• Iskin, Ruth. "Feminist Education at the Feminist Studio Workshop." Learning Our Way: Essays in Feminist Education, Charlotte Bunch and Sandra Pollack, eds. Trumansburg, NY: Crossing Press. 169-186.
• Iskin, Ruth and Leslie Labowitz. "Moving Out: Leslie Labowitz and Ruth Iskin on Social, Feminist and Performance Art." Spinning Off, April 1979: 1.
• Jones, Amelia. Body Art/Performing the Subject. Minneapolis: University of Minnesota Press, 1998.
• Jones, Amelia. "Burning Down the House: Feminist Art in California (an interview with Amelia Jones)." Art/Women/California 1950–2000: Parallels and Intersections. Diana Fuller and Daniela Salvioni, eds. Berkeley: University of California Press, 2002. 163-176.
• Jones, Amelia. ed., Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History, Los Angeles: Armand Hammer Museum, 1996.
• Judy Chicago & the California Girls. Dir. Judith Dancoff. Perf. Judy Chicago, Faith Wilding, et al. 1973, 1993. DVD.
• Karras, Maria. The Woman's Building Chicago 1893- The Woman's Building Los Angeles 1973–1975.
• Koploy, Shirley. "Art: The Woman's Building—Alive and Living in L.A." Ms. Oct. (1974): 100.
• Kort, Michele. "When Feminist Art Went Public." Ms. Magazine Summer 2011: 40-43.
• L.A. Council of Women Artists Report, "Is Woman A Work of Art?" L.A. Free Press, July 9, 1971.
• Labowitz, Leslie and Suzanne Lacy, “Evolution of a Feminist Art: Public Forms and Social Issues,” Heresies 2 (1978): 80.
• Labowitz, Leslie and Suzanne Lacy, “In Mourning and In Rage,” Frontiers: A Journal of Women’s Studies 3 (1978): 52–55.
• Lacy, Suzanne and Leslie Labowitz. “Feminist Media Strategies for Political Performance.” Cultures in Contention, Douglas Kahn and Diane Neumaier, eds. Seattle: Real Comet Press, 1985.
• Lacy, Suzanne. “In Mourning and In Rage (With Analysis Aforethought),” Ikon 6 (1982).
• Lacy, Suzanne. “The Name of the Game,” Art Journal 50.2. Feminist Art Criticism. Summer, 199: 64-68.
• Lacy, Suzanne. “Three Weeks in May,” Frontiers: A Journal of Woman’s Studies 11 (1977): 9–10.
• Lacy, Suzanne and Leslie Labowitz. "Evolution of a Feminist Art: Public Forms and Social Issues," Heresies: A Feminist Publication of Art and Politics, 2 (Summer 1978), 76-88.
• Lesbian Art Project, “An Oral Herstory of Lesbianism,” High Performance 2.4 (1979–80): 17–25.
• Linton, Meg and Sue Maberry, eds. Doin' It In Public: Feminism and Art at the Woman's Building . Otis College of Art and Design, 2011.
• Lippard, Lucy R. From the Center: Feminist Essays on Women's Art. New York: Dutton, 1976.
• Lippard, Lucy R. “More Alternate Spaces: The LA Woman's Building” in Art in America May/June 1974, 85-85.
• Lippard, Lucy R. The Pink Glass Swan: Selected Essays on Feminist Art. New York: New Press, 1995.
• Lippard, Lucy R. “Projecting a Feminist Criticism,” Art Journal Vol. 35, No. 4 (Summer, 1976), pp. 337–339.
• Lippard, Lucy R. “Sexual Politics, Art Style.” Art in America. Sept.-Oct., 1971.
• Lovelace, Carey. Making It Together. New York: Bronx Museum of the Arts, 2008.
• Marmer, Nancy. "Womanspace: A Creative Battle for Equality in the Art World," Art News, Vol.72, Summer 1973, pp. 38–39.
• Mayer, Mónica. “Art and Feminism: from Loving Education to Education through Osmosis,” N.Paradoxa 26 (2010) 5-16.
• Meyer, Laura, ed. A Studio of Their Own: The Legacy of the Fresno Feminist Experiment. Fresno, Calif.: Press at California State University, Fresno, 2009.
• Meyer, Laura. “The Los Angeles Woman's Building and the Feminist Art Community, 1973-1991.” The Sons and Daughters of Los: Culture and Community in L.A., David E. James, ed. Philadelphia: Temple University Press, 2003. 39-62.
• Lord, Catherine. "The Feminist Vision Thing: Utopias, Memories, Projects," WhiteWalls: A Journal of Language and Art, 33-34 (1994): Chapter 22.
• Nemser, Cindy. “The Women Artists’ Movement,” Feminist Art Journal 2.4 (1973–1974).
• Nochlin, Linda. “Why Have There Been No Great Women Artists?” Artnews (Special Issue on Women’s Liberation, Woman Artists and Art History), Jan. 1971: 22-71.
• Parker, Rozsika and Griselda Pollock, ed. Framing Feminism: Art and the Women's Movement, 1970–85, 1987.
• Phelan, Peggy. Art and Feminism. London: Phaidon, 2001.
• Pollock, Griselda, Generations and Geographies in the Visual Arts, Routledge, London, 1996.
• Pollock, Griselda, Looking back to the Future, G&B Arts, Amsterdam, 2001.
• Pollock, Griselda, Encounters in the Virtual Feminist Museum: Time, Space and the Archive, Routledge, 2007.
• Power, Joan M. "Feminist Education: Everything's Possible," Spinning Off, August 1979.
• Raven, Arlene. Art in the Public Interest. Ann Arbor: UMI Research Press, 1989.
• Raven, Arlene, ed. At Home. Long Beach Museum of Art. 1983.
• Raven, Arlene. Crossing Over: Feminism and Art of Social Concern. 1988
• Raven, Arlene. “Los Angeles Lesbian Artists,” Cultures in Contention, Douglas Kahn and Diane Neumaier, eds. Seattle: Real Comet Press, 1985: 236-24.
• Raven, Arlene. “Oral Herstory of Lesbianism,” High Performance Magazine 8:17-25.
• Raven, Arlene and Ruth Iskin, “Through the Peephole: Lesbian Sensibility in Art,” Chrysalis: A Magazine of Women’s Culture 4 (1977): 22.
• Robinson, Hilary, ed. Feminism-Art-Theory: An Anthology, 1968–2000, 2001
• Roth, Moira, ed. The Amazing Decade: Women and Performance Art in America, 1970–1980. Los Angeles: Astro Artz, 1983.
• Roth, Moira. "Suzanne Lacy on the Feminist Program at Fresno State and CalArts", East of Borneo (Dec 2011).
• Roth, Moira. “Suzanne Lacy Interview." Transcript, Smithsonian Archives of American Art Oral History Collection.
• Roth, Moira. “Suzanne Lacy: Social Reformer and Witch.” TDR 32, 1 (Spring, 1988): 42-60.
• Roth, Moira. “A Star Is Born: Performance Art in California” Performing Arts Journal 4, 3 (1980): 86-96.
• Schapiro, Miriam. "Oral History Interview." Archives of American Art, Smithsonian Institution, 1989.
• Schor, Mira. Wet: On Painting, Feminism, and Art Culture. Durham, NC: Duke University Press. 1997
• Schor, Mira. A Decade of Negative Thinking: Essays on Art, Politics, and Daily Life. Durham, NC: Duke University Press. 2009.
• Sider, Sandra. "Womanhouse: Cradle of Feminist Art Art Spaces Archive Project."
• Sorkin, Jenni. “Arlene Raven: Homecoming,” Critical Matrix 17 (2008): 82–89.
• Stermer, Dugald. “Sheila de Bretteville.” Communication Arts May/June (1982): 42-47.
• Swartz, Anne. “The Home That the Woman’s Building Built: Cheri Gaulke and Sue Maberry Construct a Visual Narrative of the Lesbian Family,” Journal of Lesbian Studies (special issue on lesbian art and artists), Margo Thompson, ed. 14, 2 & 3, (2010).
• Swartz, Anne and Johanna Burton, editors, “Arlene Raven’s Legacy” from Critical Matrix, Journal of Women, Gender and Culture, 2008.
• Tamblyn, Christine. “No More Nice Girls: Recent Transgressive Feminist Art,” Art Journal 50, 2 (Summer, 1991): 53-57.
• Triggs, Teal. “Where Public Meets Private: The Los Angeles Woman's Building.” Public+Private, Siân Cook and Teal Triggs, eds.: 59-69.
• Wilding. Faith. By Our Own Hands: The Women Artist's Movement, Southern California, 1970-1976.
• Wilding. Faith. “Don’t Tell Anyone We Did It!”
• Wolverton, Terry. “Art Against Incest: Feminist Artists Challenge the Conspiracy of Silence,” FUSE (July/August 1980): 280.
• Wolverton, Terry. “Generations of Lesbian Art,” High Performance 14 (1991): 10–11.
• Wolverton, Terry. Insurgent Muse: Life and Art at the Woman's Building. San Francisco: City Lights Books, 2002.
• Wolverton, Terry. “Lesbian Art Project.” Heresies #7 2.3 (1979): 14–19.
• Wolverton, Terry. and Christine Wong, “An Oral Herstory of Lesbianism,” Frontiers: A Journal of Women Studies: Lesbian History 4.3 (1979): 52–53.
• Wolverton, Terry. "The Women's Art Movement Today." Artweek 21 (February 8, 1990): 20-1.
• Womanhouse. Dir. Johanna Demetrakas. Women Make Movies. 1974. DVD.
• Yee, Lydia. Division of Labor: "Women's Work in Contemporary Art" Bronx Museum of the Arts. 199?.