Background
After the failure of Do I Hear A Waltz? (1965), for which he had written the lyrics to Richard Rodgers's music, Sondheim decided that he would henceforth work only on projects where he could write both the music and lyrics himself. He asked author and playwright James Goldman to join him as bookwriter for a new musical. Inspired by a New York Times article about a gathering of former showgirls from the Ziegfeld Follies, they decided upon a story about ex-showgirls.
Originally titled The Girls Upstairs, the musical was originally to be produced by David Merrick and Leland Hayward in late 1967, but the plans ultimately fell through, and Stuart Ostrow became the producer, with Joseph Hardy to direct. These plans also did not work out, and finally Harold Prince, who had worked previously with Sondheim, became the producer and director. He had agreed to work on The Girls Upstairs if Sondheim would agree to work on Company; Michael Bennett, the young choreographer of Company, was also brought onto the project. It was Prince who changed the title to Follies; he was "intrigued by the psychology of a reunion of old chorus dancers and loved the play on the word 'follies'".
Read more about this topic: Follies
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