Frequent Collaborations With Actors
Actor | A Visit (1955) |
The Mischief Makers (1957) |
A Story of Water (1958) |
The 400 Blows (1959) |
Shoot the Piano Player (1960) |
Jules and Jim (1962) |
Antoine and Colette (1962) |
The Soft Skin (1964) |
Fahrenheit 451 (1966) |
The Bride Wore Black (1968) |
Stolen Kisses (1968) |
Mississippi Mermaid (1969) |
The Wild Child (1970) |
Bed and Board (1970) |
Two English Girls (1971) |
Such a Gorgeous Kid Like Me (1972) |
Day for Night (1973) |
The Story of Adele H. (1975) |
Small Change (1976) |
The Man Who Loved Women (1977) |
The Green Room (1978) |
Love on the Run (1979) |
The Last Metro (1980) |
The Woman Next Door (1981) |
Confidentially Yours (1983) |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Fanny Ardant | N | N | |||||||||||||||||||||||
Patrick Auffay | N | N | |||||||||||||||||||||||
Nathalie Baye | N | N | N | ||||||||||||||||||||||
Daniel Boulanger | N | N | N | ||||||||||||||||||||||
Jean-Claude Brialy | N | N (cameo) | N | ||||||||||||||||||||||
Dani | N | N | |||||||||||||||||||||||
Jean Dasté | N | N | N | ||||||||||||||||||||||
Catherine Deneuve | N | N | |||||||||||||||||||||||
Charles Denner | N | N | N | ||||||||||||||||||||||
Gérard Depardieu | N | N | |||||||||||||||||||||||
Marie Dubois | N | N | |||||||||||||||||||||||
Sabine Haudepin | N | N | N | ||||||||||||||||||||||
Claude Jade | N | N | N | ||||||||||||||||||||||
Bernadette Lafont | N | N | |||||||||||||||||||||||
Jean-Pierre Léaud | N | N | N | N | N | N | N | ||||||||||||||||||
Michel Lonsdale | N | N | |||||||||||||||||||||||
Jeanne Moreau | N (cameo) | N | N | ||||||||||||||||||||||
Marie-France Pisier | N | N | N | ||||||||||||||||||||||
Albert Rémy | N | N | |||||||||||||||||||||||
Serge Rousseau | N | N | N | N | |||||||||||||||||||||
Alexandra Stewart | N | N | |||||||||||||||||||||||
François Truffaut | N | N | N | ||||||||||||||||||||||
Oskar Werner | N | N |
Read more about this topic: François Truffaut
Famous quotes containing the words frequent and/or actors:
“Much more frequent in Hollywood than the emergence of Cinderella is her sudden vanishing. At our party, even in those glowing days, the clock was always striking twelve for someone at the height of greatness; and there was never a prince to fetch her back to the happy scene.”
—Ben Hecht (18931964)
“Today the young actors regard their environment with rage and disgust. They regard their Master not as disciples regard their Master, but as slaves regard their Master.”
—Judith Malina (b. 1926)