Modern Influence
Freyja is mentioned in the first stanza ("it is called old Denmark and it is Freja's hall") of the civil national anthem of Denmark, Der er et yndigt land, written by 19th century Danish poet Adam Gottlob Oehlenschläger in 1819. In addition, Oehlenschläger wrote a comedy entitled Freyjas alter (1818) and a poem Freais sal featuring the goddess.
The 19th century German composer Richard Wagner's Der Ring des Nibelungen opera cycle features Freia, the goddess Freyja combined with the apple-bearing goddess Iðunn.
In late 19th century and early 20th century Northern Europe, Freyja was the subject of numerous works of art, including Freyja by H. E. Freund (statue, 1821–1822), Freja sökande sin make (painting, 1852) by Nils Johan Olsson Blommér, Freyjas Aufnahme uner den Göttern (charcoal drawing, 1881) and Frigg; Freyja (drawing, 1883) by Karl Ehrenberg, Freyja (1901) by Carl Emil Doepler d. J., and Freyja and the Brisingamen by J. Doyle Penrose (painting, 1862–1932).
Vanadís, one of Freyja's names, is the source of the name of the chemical element vanadium, so named because of its many colored compounds.
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“Kindness is a virtue neither modern nor urban. One almost unlearns it in a city. Towns have their own beatitude; they are not unfriendly; they offer a vast and solacing anonymity or an equally vast and solacing gregariousness. But one needs a neighbor on whom to practice compassion.”
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