Production
Although she was contractually bound to make one more film for producer Ray Stark (Fanny Brice's one-time son-in-law), Streisand balked at doing the project. She told Stark "that it would take litigation to make her do a sequel." However, Streisand liked the script, which showed Fanny to be "...tougher, more acerbic, more mature...", and she agreed to do the film.
The first actor to read for the role of Billy Rose was Robert Blake. Other actors were mentioned, including Al Pacino and Robert De Niro, but ultimately James Caan was chosen. Streisand explained: "It comes down to whom the audience wants me to kiss. Robert Blake, no. James Caan, yes."
Stark, unhappy with the scenes shot by the original cinematographer, lured an ailing James Wong Howe out of retirement to complete the film. It proved to be his final project, and it earned him an Academy Award nomination.
Studio heads forced Ross to trim the film to a manageable 136 minutes prior to its release. Much of Vereen's performance ended up on the cutting room floor, together with a recreation of Brice's "Baby Snooks" radio show and dramatic scenes involving her and her daughter.
In addition to Howe, Oscar nominations went to Ray Aghayan and Bob Mackie for Best Costume Design, John Kander and Fred Ebb for Best Original Song ("How Lucky Can You Get?"), Peter Matz for Best Scoring of an Original Song Score and/or Adaptation, and the sound crew. Streisand, Caan, and Vereen all received Golden Globe Award nominations, as did Kander and Ebb and the film itself, but it was shut out of any wins in both competitions.
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Famous quotes containing the word production:
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)