Gallery
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Fuzes fitted to M107 155mm artillery shells, circa 2000
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Fuzed 81mm white phosphorus mortar shell in 1980. Note spelling of "fuze" on adjacent boxes
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An assortment of fuzes for artillery and mortar shells
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British World War II 4-inch naval illuminating shell, showing time fuze (orange, top), illuminating compound (green) and parachute (white, bottom)
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Fuze for a Stokes mortar shell
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British No. 63 Mk I Time and Percussion fuze, circa 1915 - used in shrapnel shells
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British No. 100 Graze Fuze for high-explosive shell, World War I.
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British Percussion Fuze No. 110 Mk III, World War I, used in trench mortars
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British No. 131 D.A. (Direct Action) Impact Fuze, Mk VI, World War I, used in anti-aircraft artillery
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British No. 16 D Mk IV N Base percussion fuze, circa 1936
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British No. 45 P Direct Action Impact Fuze, World War I, used in howitzer shells
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Cut-away diagram of Japanese Type 99 Grenade showing fuze mechanism. Circa 1939
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Cut-away diagram of a US M2A4 bounding mine showing the M6A1 pressure/pull fuze. Circa 1950
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USSR pull-fuze designed for booby-trap or anti-handling purposes. Circa 1950s. Detonator assembly is inserted into explosives
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Alternative design of USSR booby-trap pull-fuze, usually connected to a tripwire. Circa 1950s
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USSR pressure fuze for booby-trap purposes e.g. victim steps on loose floorboard with fuze (connected to TNT explosives) concealed underneath. Circa 1950s
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Italian TC/2.4 mine circa 1980s showing central location of mechanical pressure fuze
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German S-mine dating from World War II showing fuze well into which a 3-pronged fuze would be screwed
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Fuze for a German S-mine, which would be screwed into the fuze well on the mine
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M4 anti tank mine, showing main fuze in the centre, plus 2 additional fuze pockets (both empty) which provide the option to fit anti-handling devices
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Typical configuration of a pull fuze and/or pressure-release fuze attached to M15 anti-tank landmines
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Famous quotes containing the word gallery:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)