Production
The film was originally written for King Kong (the project was tentatively titled Operation Robinson Crusoe:King Kong vs Ebirah), but Toho switched Kong with another popular character at the time, Godzilla. This explains why Godzilla displays uncharacteristic behavior in the film, such as drawing strength from electricity, his curiosity to Kumi Mizuno's character, and the usage of boulders to destroy the Red Bamboo Base. Toho would later use Kong for King Kong Escapes.
The US television version and early video versions have a different opening to the film. The opening scenes of Ryota at the Maritime Safety Agency searching for news of his brother have been replaced with a scene supposedly showing Ebirah destroying Yata's boat. This sequence was created by editing a later scene in the movie. The current DVD version of the film restores the Japanese cut.
In 1991, Godzilla vs. the Sea Monster was distributed under the Film Ventures International name. The company replaced the opening with a generic credit sequence, using footage from Son of Godzilla. This version was aired on Mystery Science Theater 3000.
Read more about this topic: Godzilla Vs. The Sea Monster
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)