Interior
The original entrance to the Great Pyramid is 17 metres (56 ft) vertically above ground level and 7.29 metres (23.9 ft) east of the center line of the pyramid. From this original entrance there is a Descending Passage .96 metres (3.1 ft) high and 1.04 metres (3.4 ft) wide which goes down at an angle of 26° 31'23" through the masonry of the pyramid and then into the bedrock beneath it. After 105.23 metres (345.2 ft), the passage becomes level and continues for an additional 8.84 metres (29.0 ft) to the lower Chamber, which appears not to have been finished. There is a continuation of the horizontal passage in the south wall of the lower chamber; there is also a pit dug in the floor of the chamber. Some Egyptologists suggest this Lower Chamber was intended to be the original burial chamber, but Pharaoh Khufu later changed his mind and wanted it to be higher up in the pyramid.
At 28.2 metres (93 ft) from the entrance is a square hole in the roof of the Descending Passage. Originally concealed with a slab of stone, this is the beginning of the Ascending Passage. The Ascending Passage is 39.3 metres (129 ft) long, as wide and high as the Descending Passage and slopes up at almost precisely the same angle. The lower end of the Ascending Passage is closed by three huge blocks of granite, each about 1.5 metres (4.9 ft) long. At the start of the Grand Gallery on the right-hand side there is a hole cut in the wall (and now blocked by chicken wire). This is the start of a vertical shaft which follows an irregular path through the masonry of the pyramid to join the Descending Passage. Also at the start of the Grand Gallery there is a Horizontal Passage leading to the "Queen's Chamber". The passage is 1.1m (3'8") high for most of its length, but near the chamber there is a step in the floor, after which the passage is 1.73 metres (5.7 ft) high.
Read more about this topic: Great Pyramid Of Giza
Famous quotes containing the word interior:
“Men expect too much, do too little,
Put the contraption before the accomplishment,
Lack skill of the interior mind
To fashion dignity with shapes of air.
Luxury, yes but not elegance!”
—Allen Tate (1899–1979)
“The work of art, just like any fragment of human life considered in its deepest meaning, seems to me devoid of value if it does not offer the hardness, the rigidity, the regularity, the luster on every interior and exterior facet, of the crystal.”
—André Breton (1896–1966)
“An absolute can only be given in an intuition, while all the rest has to do with analysis. We call intuition here the sympathy by which one is transported into the interior of an object in order to coincide with what there is unique and consequently inexpressible in it. Analysis, on the contrary, is the operation which reduces the object to elements already known.”
—Henri Bergson (1859–1941)