Gross National Happiness - Criticism

Criticism

Critics state that because GNH depends on a series of subjective judgments about well-being, governments may be able to define GNH in a way that suits their interests. Economics professor Deirdre McCloskey criticizes such measurements as unscientific, saying that "Recording the percentage of people who say they are happy will tell you... how people use words," making the analogy that society could not "base physics on asking people whether today was 'hot, nice, or cold'". McCloskey also criticizes the anti-consumerism of the movement to base government policy on happiness, asserting that "High culture has in fact always flourished in eras of lively commerce, from fifth-century Greece through Song China and Renaissance Italy down to the Dutch Golden Age".

Other critics say that international comparison of well-being will be difficult on this model; proponents maintain that each country can define its own measure of GNH as it chooses, and that comparisons over time between nations will have validity. GDP provides a convenient, international scale. Research demonstrates that markers of social and individual well-being are remarkably transcultural: people generally report greater subjective life satisfaction if they have strong and frequent social ties, live in healthy ecosystems, experience good governance, etc. Nevertheless, it remains true that reliance on national measures of GNH would render international comparisons of relative well-being more problematic, since there is not and is not likely ever to be a common scale as "portable" as GDP has been. Nevertheless, Bhutan's stated goal is to maximize whatever they see as GNH, not compare numbers with other countries.

Alternative indicators of emotion as an analog to economic progress have also been supported by a number of NGOs such as the UK's New Economics Foundation, and are employed in some governments notably in Europe and Canada. The Gallup poll system also collects data on wellbeing on a national and international scale.

Read more about this topic:  Gross National Happiness

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    However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.
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