Themes
The film explores a broad range of issues including drug abuse, violence, homicide, vandalism, mental illness, poverty, profanity, homophobia, sexual abuse, sexism, suicide, grief, prostitution, animal cruelty, euthanasia and racism. Korine avoided any romantic notions regarding America, including its poor and mentally handicapped.
Korine comments on the film's pop-aesthetic, saying: "America is all about this recycling, this interpretation of pop. I want you to see these kids wearing Bone Thugs & Harmony t-shirts and Metallica hats - this almost schizophrenic identification with popular imagery. If you think about, that's how people relate to each other these days, through these images." Dot and Helen are modeled after Cherie Currie. "I wanted them to seem like homeschool kids... sort of guessing and coming up with these hipster things. They almost make a homeschool hip language. I wanted this inbred vernacular."
The film has a strong vaudevillian influence. The name of the character Tummler is taken directly from the vaudevillian term given to lower-level comics of the day. "The guys that would check you into a hotel room, take your coat, and at the same time throw a few one-liners out. They're like the warm-up, the lowest level comedian. The tummler." (See Borscht Belt)
Robin O'Hara argues that while people naturally look for points of reference to describe Gummo (such as Herzog, Cassavetes, Arbus, Fellini, Godard, Maysles and Jarman) that Korine's art really is his own. "He is an original, in every sense of the word." Korine comments on the film's aesthetic: "We tried very hard not to reference other films. We wanted Gummo to set its own standard."
Read more about this topic: Gummo
Famous quotes containing the word themes:
“I suppose you think that persons who are as old as your father and myself are always thinking about very grave things, but I know that we are meditating the same old themes that we did when we were ten years old, only we go more gravely about it.”
—Henry David Thoreau (18171862)
“In economics, we borrowed from the Bourbons; in foreign policy, we drew on themes fashioned by the nomad warriors of the Eurasian steppes. In spiritual matters, we emulated the braying intolerance of our archenemies, the Shiite fundamentalists.”
—Barbara Ehrenreich (b. 1941)