Gustave Courbet - Gallery

Gallery

  • Self-portrait with black dog, 1842

  • Bather Sleeping by a Brook, 1845, oil on canvas, The Detroit Institute of Arts

  • The man with a pipe Self-portrait, 1848-49

  • The kill of deer, 1867, Museum of Art, Besançon.

  • The Hammock, 1844

  • Zélie Courbet, 1847

  • Portrait of Charles Baudelaire, 1848-1849

  • The Stone Breakers, 1849

  • After Dinner at Ornans, 1849

  • Farmers of Flagey on the Return From the Market, 1850, Museum of Art, Besançon.

  • Portrait of Alfred Bruyas, 1854

  • The Meeting ("Bonjour, Monsieur Courbet"), 1854, Fabre Museum, Montpellier

  • The Rock of Ten Hours (to Ornans), 1855

  • The Pont Ambroix Languedoc, 1857

  • Louis Guéymard(1822–1880) as Robert le Diable, 1857, Metropolitan Museum of Art

  • Les Bas Blancs, (Woman with White Stockings), ca 1861 (Barnes Foundation)

  • Femme nue couchée, 1862

  • The Trellis, 1862, Toledo Museum of Art, Toledo, Ohio

  • Portrait of Countess Karoly 1865

  • Proudhon and his children, 1865

  • Sea Coast in Normandy, 1867

  • The Bather, 1868, Metropolitan Museum of Art, New York

  • The Source, 1868

  • The Wave, 1870

  • Cliffs at Etretat, After the Storm, 1870

  • Paul Verlaine, c. 1871

  • Stream in the Jura Mountains (The Torrent), 1872-3, Honolulu Museum of Art

  • Mountain landscape with fruit trees in Ornans, 1873

  • Gustave Courbet Les Gorges du Saillon, 1875, oil on canvas

  • The Castle of Blonay, c 1875

  • Entrée d'un gave (Source of a Mountain Stream), 1876, held at the Birmingham Museum of Art

  • Landscape, 1876, National Gallery for Foreign Art

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Famous quotes containing the word gallery:

    I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.
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    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
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