Hippodamia - Artistic and Anthropological Perspectives

Artistic and Anthropological Perspectives

Walter Burkert notes that though the story of the contest for Hippodamia's hand figures in the Hesiodic Megalai Ehoiai and on the chest of Cypselus (ca. 570 BCE) that was conserved at Olympia, and though preparations for the chariot-race figured in the east pediment of the great temple of Zeus at Olympia, the myth of the chariot race only became important at Olympia with the introduction of chariot racing in the twenty-fifth Olympiad (680 BCE). Georges Devereux connected the "courtship" of Hippodamia with animal husbandry taboos of Elis, and the influence of Elis at Olympia that grew in the seventh century.

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