Culture
Hiroshima has a professional symphony orchestra, which has performed at Wel City Hiroshima since 1963. There are also many museums in Hiroshima, including the Hiroshima Peace Memorial Museum, along with several art museums. The Hiroshima Museum of Art, which has a large collection of French renaissance art, opened in 1978. The Hiroshima Prefectural Art Museum opened in 1968, and is located near Shukkei-en gardens. The Hiroshima City Museum of Contemporary Art, which opened in 1989, is located near Hijiyama Park. Festivals include Hiroshima Flower Festival and Hiroshima International Animation Festival.
Hiroshima Peace Memorial Park, which includes the Hiroshima Peace Memorial, draws many visitors from around the world, especially for the Hiroshima Peace Memorial Ceremony, an annual commemoration held on the date of the atomic bombing. The park also contains a large collection of monuments, including the Children's Peace Monument, the Hiroshima National Peace Memorial Hall for the Atomic Bomb Victims and many others.
Hiroshima's rebuilt castle (nicknamed Rijō, meaning Koi Castle) houses a museum of life in the Edo period. Hiroshima Gokoku Shrine is within the walls of the castle. Other attractions in Hiroshima include Shukkei-en, Fudōin, Mitaki-dera, and Hijiyama Park.
Read more about this topic: Hiroshima
Famous quotes containing the word culture:
“Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern lifeits material plenitude, its sheer crowdednessconjoin to dull our sensory faculties.”
—Susan Sontag (b. 1933)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)