Culture
Main articles: Culture of Ireland and Culture of Northern IrelandIreland's culture comprises elements of the culture of ancient immigration and influences (such as Gaelic culture) and more recent Anglicisation and Americanisation as well as participation in a broader European culture. In broad terms, Ireland is regarded as one of the Celtic nations of Europe, which also includes Scotland, Wales, Cornwall, Isle of Mann and Brittany. This combination of cultural influences is visible in the intricate designs termed Irish interlace or Celtic knotwork. These can be seen in the ornamentation of medieval religious and secular works. The style is still popular today in jewellery and graphic art, as is the distinctive style of traditional Irish music and dance, and has become indicative of modern "Celtic" culture in general.
Religion has played a significant role in the cultural life of the island since ancient times (and since the 17th century plantations, has been the focus of political identity and divisions on the island). Ireland's pre-Christian heritage fused with the Celtic Church following the missions of Saint Patrick in the 5th century. The Hiberno-Scottish missions, begun by the Irish monk Saint Columba, spread the Irish vision of Christianity to pagan England and the Frankish Empire. These missions brought written language to an illiterate population of Europe during the Dark Ages that followed the fall of Rome, earning Ireland the sobriquet, "the island of saints and scholars". In more recent years, the Irish pubs have become outposts of Irish culture worldwide.
The Republic of Ireland's national theatre is the Abbey Theatre founded in 1904 and the national Irish-language theatre is An Taibhdhearc, established in 1928 in Galway. Playwrights such as Seán O'Casey, Brian Friel, Sebastian Barry, Conor McPherson and Billy Roche are internationally renowned.
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Famous quotes containing the word culture:
“To assault the total culture totally is to be free to use all the fruits of mankind’s wisdom and experience without the rotten structure in which these glories are encased and encrusted.”
—Judith Malina (b. 1926)
“The anorexic prefigures this culture in rather a poetic fashion by trying to keep it at bay. He refuses lack. He says: I lack nothing, therefore I shall not eat. With the overweight person, it is the opposite: he refuses fullness, repletion. He says, I lack everything, so I will eat anything at all. The anorexic staves off lack by emptiness, the overweight person staves off fullness by excess. Both are homeopathic final solutions, solutions by extermination.”
—Jean Baudrillard (b. 1929)
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)