James Baldwin - Inspiration and Relationships

Inspiration and Relationships

As a young man, Baldwin's poetry teacher was Countee Cullen.

A great influence on Baldwin was the painter Beauford Delaney. In The Price of the Ticket (1985), Baldwin describes Delaney as "the first living proof, for me, that a black man could be an artist. In a warmer time, a less blasphemous place, he would have been recognized as my teacher and I as his pupil. He became, for me, an example of courage and integrity, humility and passion. An absolute integrity: I saw him shaken many times and I lived to see him broken but I never saw him bow."

Later support came from Richard Wright, whom Baldwin called "the greatest black writer in the world." Wright and Baldwin became friends, and Wright helped Baldwin secure the Eugene F. Saxon Memorial Award. Baldwin's essay "Notes of a Native Son" and his essay collection Notes of a Native Son allude to Wright's novel Native Son. In Baldwin's 1949 essay "Everybody's Protest Novel", however, Baldwin indicated that Native Son, like Harriet Beecher Stowe's Uncle Tom's Cabin, lacked credible characters and psychological complexity, and the two authors' friendship ended. Interviewed by Julius Lester, however, Baldwin explained, "I knew Richard and I loved him. I was not attacking him; I was trying to clarify something for myself."

In 1949 Baldwin met and fell in love with Lucien Happersberger, age 17, though Happersberger's marriage three years later left Baldwin distraught. Happersberger died on August 21, 2010 in Switzerland.

Baldwin was a close friend of the singer, pianist, and civil rights activist Nina Simone. With Langston Hughes and Lorraine Hansberry, Baldwin helped awaken Simone to the civil rights movement then gelling. Baldwin also provided her with literary references influential on her later work. Famously, Baldwin and Hansberry met with Robert F. Kennedy, along with Kenneth Clark and Lena Horne, in an attempt to persuade Kennedy of the importance of civil rights legislation.

Baldwin influenced the work of French painter Philippe Derome, who he met in Paris in the early 1960s. Baldwin also knew Marlon Brando, Charlton Heston, Billy Dee Williams, Huey P. Newton, Nikki Giovanni, Jean-Paul Sartre, Jean Genet (with whom he campaigned on behalf of the Black Panther Party), Lee Strasberg, Elia Kazan, Rip Torn, Alex Haley, Miles Davis, Amiri Baraka, Martin Luther King, Jr., Margaret Mead, Josephine Baker, Allen Ginsberg and Maya Angelou. He wrote at length about his "political relationship" with Malcolm X. He collaborated with childhood friend Richard Avedon on the book Nothing Personal, which is available for public viewing at the Schomburg Center in Harlem.

Maya Angelou called Baldwin her "friend and brother", and credited him for "setting the stage" for her 1969 autobiography I Know Why the Caged Bird Sings. Baldwin was made a Commandeur de la Légion d'honneur by the French government in 1986.

James Baldwin was also close friends with Nobel Prize winning novelist Toni Morrison. Upon his death, Toni Morrison wrote a eulogy to Baldwin in the New York Times. In the eulogy titled, "Life in His Language", Toni Morrison credits James Baldwin as being her literary inspiration, and the person who showed her the true potential of writing. She writes, "You knew, didn't you, how I needed your language and the mind that formed it? How I relied on your fierce courage to tame wildernesses for me? How strengthened I was by the certainty that came from knowing you would never hurt me? You knew, didn't you, how I loved your love? You knew. This then is no calamity. No. This is jubilee. Our crown, you said, has already been bought and paid for. All we have to do, you said, 'is wear it.'"

Read more about this topic:  James Baldwin

Famous quotes containing the words inspiration and and/or inspiration:

    For a painter, the Mecca of the world, for study, for inspiration and for living is here on this star called Paris. Just look at it, no wonder so many artists have come here and called it home. Brother, if you can’t paint in Paris, you’d better give up and marry the boss’s daughter.
    Alan Jay Lerner (1918–1986)

    Shakespeare carries us to such a lofty strain of intelligent activity, as to suggest a wealth which beggars his own; and we then feel that the splendid works which he has created, and which in other hours we extol as a sort of self-existent poetry, take no stronger hold of real nature than the shadow of a passing traveller on the rock. The inspiration which uttered itself in Hamlet and Lear could utter things as good from day to day, for ever.
    Ralph Waldo Emerson (1803–1882)