Jeux (Games) is the last work for orchestra written by Claude Debussy. Described as a "poème dansé" (literally a "danced poem"), it was originally intended to accompany a ballet, and was written for the Ballets Russes of Serge Diaghilev to choreography by Vaslav Nijinsky. Debussy initially objected to the scenario, but reconsidered the commission when Diaghilev doubled the fee. Debussy wrote the score quickly, from mid-August to mid-September 1912. Robert Orledge has analysed the chronology of Debussy's composition and preserved manuscripts of the score.
Jeux was premiered under conductor Pierre Monteux on May 15, 1913 in Paris. However, the work was not well received, and soon eclipsed by Stravinsky's The Rite of Spring, which was premiered on 29 May 1913 by Diaghilev's company. The first commercial recording was made by Victor de Sabata with the Orchestra Stabile Accademica di Santa Cecilia in 1947. A critical edition of the score, prepared by Pierre Boulez and Myriam Chimènes, was published in 1988.
The number of tempo markings in Jeux is around 60, sufficient that Emile Vuillermoz described the score as changing "speed and nuance every two measures". The thematic motifs of Jeux are likewise very short, often two measures long or constructed from two single-measure building blocks. L.D. Berman has analysed Jeux in the context of Debussy's earlier Prélude à l'après-midi d'un faune. Jann Pasler has analysed in detail Debussy's motivic construction.
Read more about Jeux: Scenario