Playing Style
Larry Schwartz on ESPN.com said about Connors, "His biggest weapons were an indomitable spirit, a two-handed backhand and the best service return in the game. It is difficult to say which was more instrumental in Connors becoming a champion. ... Though smaller than most of his competitors, Connors didn't let it bother him, making up for a lack of size with determination." Of his own competitive nature Connors has said, "here's always somebody out there who's willing to push it that extra inch, or mile, and that was me. (Laughter) I didn't care if it took me 30 minutes or five hours. If you beat me, you had to be the best, or the best you had that day. But that was my passion for the game. If I won, I won, and if I lost, well, I didn't take it so well."
His on-court antics, designed to get the crowd involved, both helped and hurt his play. Schwartz said, "While tennis fans enjoyed Connors' gritty style and his never-say-die attitude, they often were shocked by his antics. His sometimes vulgar on-court behavior—like giving the finger to a linesman after disagreeing with a call or strutting about the court with the tennis racket handle between his legs; sometimes he would yank on the handle in a grotesque manner and his fans would go wild or groan in disapproval—did not help his approval rating. During the early part of his career, Connors frequently argued with umpires, linesmen, the players union, Davis Cup officials and other players. He was even booed at Wimbledon – a rare show of disapproval there—for snubbing the Parade of Champions on the first day of the Centenary in 1977." His brash behavior both on and off the court earned him a reputation as the brat of the tennis world. Tennis commentator Bud Collins nicknamed Connors the "Brash Basher of Belleville" after the St Louis suburb where he grew up. But Connors himself thrived on the energy of the crowd, positive or negative, and manipulated and exploited it to his advantage in many of the greatest matches of his career.
Connors was taught to hit the ball on the rise by his teaching-pro mother, Gloria Connors, a technique he used to defeat the opposition in the early years of his career. Gloria sent her son to Southern California to work with Pancho Segura at the age of 16. Segura advanced Connors' game of hitting the ball on the rise which enabled Connors to reflect the power and velocity of his opponents back at them. Segura was the master strategist in developing Jimmy's complete game. In the 1975 Wimbledon final, Arthur Ashe countered this strategy by taking the pace off the ball, giving Connors only soft junk shots (dinks, drop shots, and lobs) to hit.
In an era when the serve and volley was the norm, Björn Borg excepted, Connors was one of the few players to hit the ball flat, low, and predominantly from the baseline. Connors hit his forehand with a continental grip and with little net clearance. Some considered his forehand to be his greatest weakness, especially on extreme pressure points, as it lacked the safety margin of hard forehands hit with topspin. His serve, while accurate and capable, was never a great weapon for him as it did not reach the velocity and power of his opponents.
His lack of a dominating serve and net game, combined with his individualist style and maverick tendencies, meant that he was not as successful in doubles as he was in singles, although he did win Grand Slam titles with Ilie Năstase and Chris Evert, and he accumulated 15 doubles titles during his career.
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