Works
Alsted is now remembered as an encyclopedist, and for his millennarian views. His approach to the encyclopedia took two decades of preliminaries, and was an effort of integration of tools and theories to hand.
In 1609 Alsted published Clavis artis Lullianae. He published the Artificium perorandi of Giordano Bruno in 1610; and in the same year the Panacea philosophica, an attempt to find the common ground in the work of Aristotle, Raymond Lull, and Petrus Ramus. In 1612 Alsted edited the Explanatio of Bernard de Lavinheta, a Lullist work. In 1613 he published an edition of the Systema systematum of Bartholomäus Keckermann. Theologia naturalis (1615) was an apologetical work of natural theology.
- Clavis artis lullianae (1609).
- Panacea philosophica (1610).
- Metaphysica, tribus libris tractata (1613).
- Methodus admirandorum mathematicorum completens novem libris matheseos universae (1613).
- Theologia naturalis (1615).
- Encyclopaedia septem tomis distincta: 1. Praecognita disciplinarum; 2. Philologia; 3. Philosophia theoretica; 4. Philosophia practica; 5. Tres superiores facultates; 6. Artes mechanicae; 7. Farragines disciplinarum (1630).
Read more about this topic: Johann Heinrich Alsted
Famous quotes containing the word works:
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)