Works
| Title | Type | Year | Notes |
|---|---|---|---|
| The Devil Inside | Theatre | 1950 | with Stella Linden |
| The Great Bear | Theatre | 1951 | blank verse, never produced |
| Personal Enemy | Theatre | 1955 | with Anthony Creighton |
| Look Back in Anger | Theatre | 1956 | |
| The Entertainer | Theatre | 1957 | |
| Epitaph for George Dillon | Theatre | 1958 | with Anthony Creighton |
| The World Of Paul Slickey | Theatre | 1959 | |
| A Subject Of Scandal And Concern | TV | 1960 | |
| Luther | Theatre | 1961 | |
| Plays for England | Theatre | 1962 | |
| The Blood of the Bambergs | Theatre | 1962 | |
| Under Plain Cover | Theatre | 1962 | |
| Tom Jones | Screenplay | 1963 | |
| Inadmissible Evidence | Theatre | 1964 | |
| A Patriot for Me | Theatre | 1965 | |
| A Bond Honoured | Theatre | 1966 | One-act adaptation of Lope de Vega's La fianza satisfecha |
| The Hotel In Amsterdam | Theatre | 1968 | |
| Time Present | Theatre | 1968 | |
| The Charge of the Light Brigade | Screenplay | 1968 | |
| The Right Prospectus | TV | 1970 | |
| West Of Suez | Theatre | 1971 | |
| A Sense Of Detachment | Theatre | 1972 | |
| The Gift Of Friendship | TV | 1972 | |
| Hedda Gabler | Theatre | 1972 | Ibsen adaptation |
| A Place Calling Itself Rome | Theatre | (1973) | Coriolanus adaptation, unproduced |
| Ms, Or Jill And Jack | TV | 1974 | |
| The End Of Me Old Cigar | Theatre | 1975 | |
| The Picture Of Dorian Gray | Theatre | 1975 | Wilde adaptation |
| Almost A Vision | TV | 1976 | |
| Watch It Come Down | Theatre | 1976 | |
| Try A Little Tenderness | Theatre | (1978) | unproduced |
| Very Like A Whale | TV | 1980 | |
| You're Not Watching Me, Mummy | TV | 1980 | |
| A Better Class of Person | Book | 1981 | autobiography volume I |
| A Better Class of Person | TV | 1985 | |
| God Rot Tunbridge Wells | TV | 1985 | |
| The Father | Theatre | 1989 | Strindberg adaptation |
| Almost a Gentleman | Book | 1991 | autobiography volume II |
| Déjàvu | Theatre | 1992 |
Read more about this topic: John Osborne
Famous quotes containing the word works:
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
—Henry David Thoreau (1817–1862)
“Night and Day ‘ve been tampered with,
Every quality and pith
Surcharged and sultry with a power
That works its will on age and hour.”
—Ralph Waldo Emerson (1803–1882)
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (1860–1904)