Kaiju - Concept

Concept

Kaiju are typically modeled after conventional animals, insects or mythological creatures; however, there are more exotic examples. Chōjin Sentai Jetman features monsters based on traffic lights, faucets and tomatoes; Kamen Rider Super-1 includes a whole army of monsters based on household objects such as umbrellas and utility ladders.

While the term kaiju is used in the West to describe monsters from tokusatsu and Japanese folklore, monsters like vampires, werewolves, Frankenstein's Monster, mummies and zombies would fall into this category. In fact Frankenstein's Monster was once a daikaiju in the film Frankenstein vs. Baragon, which was created by Toho.

Kaiju are sometimes depicted as cannon fodder serving a greater evil. Some kaiju are elite warriors which serve as the right-hand man to the greater villain and are destroyed by the heroic forces. Others have a neutral alignment, only seeking to destroy buildings and other structures. During the early eras of tokusatsu, "heroic" monsters were rarely seen in Daikaiju Eiga films, and it was not until later when television tokusatsu productions began using kaiju which aided the hero, saved civilians, or demonstrated some kind of complex personality. These kaiju adopted many classic monster traits, appearing as the "Misunderstood Creature". Some kaiju hung out with the heroes and provided comedy relief, in contrast to the darker approach to these characters from more mature franchises, like Kamen Rider. Godzilla, arguably the most well known of the Daikaiju, has played the roles of hero, villain, and force of nature in the course of his existence, one of the few kaiju of any type to be depicted in multiple roles and having those around him react in different ways, depending on how the creature itself was being presented in the films.

Read more about this topic:  Kaiju

Famous quotes containing the word concept:

    I think that Richard Nixon will go down in history as a true folk hero, who struck a vital blow to the whole diseased concept of the revered image and gave the American virtue of irreverence and skepticism back to the people.
    William Burroughs (b. 1914)

    The heritage of the American Revolution is forgotten, and the American government, for better and for worse, has entered into the heritage of Europe as though it were its patrimony—unaware, alas, of the fact that Europe’s declining power was preceded and accompanied by political bankruptcy, the bankruptcy of the nation-state and its concept of sovereignty.
    Hannah Arendt (1906–1975)

    The concept is interesting: to see, as though reflected
    In streaming windowpanes, the look of others through
    Their own eyes.
    John Ashbery (b. 1927)