Early Mexican Career (1943–1950)
Jurado began acting in Mexican films starting in 1943, with the movie No Matarás (Thou Shalt Not Kill), and went on to appear in sixteen more films over the next seven years during the Golden Age of Mexican cinema. Her very particular features were the key of her notable success. Blessed with a stunning beauty and an assertive personality, Jurado specialized in playing determined women in a wide variety of films. Her looks, evocative of the indigenous peoples of Mexico, allowed her to carve a niche for herself in the Mexican cinema. However she typically was cast as a dangerous seductress cum man-eater, a popular type in Mexican movies.
During her early years in the Mexican cinema she appeared with stars like Carmen Montejo, Maria Elena Marques, David Silva and others. In 1943, she had her first success with her third film La vida inútil de Pito Perez, considered by many as the best Mexican picaresque novel. In 1948, her performance in Nosotros los pobres, opposite the well-known Mexican actor Pedro Infante, brought her fame. She worked with Infante once again in El Seminarista (1949). In 1951, she starred in Cárcel de Mujeres, with the Spanish star Sara Montiel. Jurado's popularity with audiences also landed her a radio show in Mexico.
Read more about this topic: Katy Jurado
Famous quotes containing the words early, mexican and/or career:
“I could be, I discovered, by turns stern, loving, wise, silly, youthful, aged, racial, universal, indulgent, strict, with a remarkably easy and often cunning detachment ... various ways that an adult, spurred by guilt, by annoyance, by condescension, by loneliness, deals with the prerogatives of power and love.”
—Gerald Early (20th century)
“The germ of violence is laid bare in the child abuser by the sheer accident of his individual experience ... in a word, to a greater degree than we like to admit, we are all potential child abusers.”
—F. Gonzalez-Crussi, Mexican professor of pathology, author. Reflections on Child Abuse, Notes of an Anatomist (1985)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do soconcomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)