Other Projects
Using the stage name Cole Dammett (adapted from his father's stage name, Blackie Dammett), Kiedis landed a number of small roles in television and film as a teenager in the late 1970s. His early credits include F.I.S.T. and the 1978 ABC Afterschool Special It's a Mile from Here to Glory. Resuming his acting work in the 1990s, Kiedis appeared in the 1991 Keanu Reeves/Patrick Swayze vehicle Point Break playing Tone, a surfer. The Chase, a 1994 movie starring Charlie Sheen as an estranged man trying to escape the cops with a young woman he kidnapped, had Flea and Kiedis playing metalheads who chase Sheen's character in a 4 × 4 truck and end up crashing.
He also organized the New American Music Union, a two-day summer music festival set for August 2008 in Pittsburgh, Pennsylvania. He has assembled a lineup of musicians including Bob Dylan, The Raconteurs, Gnarls Barkley, The Roots, and a second stage featuring college bands. (The lineup did not include Kiedis or the Red Hot Chili Peppers.) In 2011, Kiedis, along with his son Everly, appeared in the documentary, Bob and the Monster. The documentary details the life and career of musician and drug counselor, Bob Forrest. On May 11, 2011, Anthony donated a MTV European Music Award that the band had previously won to help raise funds for ongoing relief in devastated areas of Japan, which was hit with an earthquake and tsunami in March 2011.
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Famous quotes containing the word projects:
“One of the things that is most striking about the young generation is that they never talk about their own futures, there are no futures for this generation, not any of them and so naturally they never think of them. It is very striking, they do not live in the present they just live, as well as they can, and they do not plan. It is extraordinary that whole populations have no projects for a future, none at all.”
—Gertrude Stein (1874–1946)
“But look what we have built ... low-income projects that become worse centers of delinquency, vandalism and general social hopelessness than the slums they were supposed to replace.... Cultural centers that are unable to support a good bookstore. Civic centers that are avoided by everyone but bums.... Promenades that go from no place to nowhere and have no promenaders. Expressways that eviscerate great cities. This is not the rebuilding of cities. This is the sacking of cities.”
—Jane Jacobs (b. 1916)